PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
3
Italy
1
Spain
1
Cities
England
1
Florence
1
London
2
Vic
1
Production method
Manuscript
5
Physical type
chansonnier
1
choirbook
3
partbook (single)
1
Material
paper
3
parchment (with paper)
1
parchment and paper (mixed)
1
Format
oblong
1
upright
4
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
2
normally
2
Height of Staves
Colour of Staves
black
2
brown
2
dark brown
1
Ruling Medium
double rastrum
1
freehand
2
single rastrum
1
straightedge
5
triple rastrum
1
Number of staves
1
2
10
4
11
3
12
1
2
2
3
2
4
2
5
2
6
3
7
2
8
2
9
2
Disposition of Voice Parts
1-part single page
4
2-part opening
3
2-part score
1
2-part single page
2
3-part consecutive
1
3-part opening
3
3-part score
1
3-part single page
2
4-part opening
5
4-part single page
1
5-part opening
3
5-part single page
1
6-part opening
2
Indentation for Initials
double
1
none
3
single
3
Extra Space Between Voice Parts
empty ruled staves on grid
5
left below voice parts as part of grid
1
left between voice parts as part of grid
1
none
1
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
2
not in dedicated space
1
provided, in dedicated space
3
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
3
notation and staves extended into margin
5
notation extended into margin
4
partial additional staves
4
staveline added
3
staves extended into margin
1
Copying of Music
Colour of Notation
black
3
blue
1
brown
1
dark brown
3
red
2
Type of Notation
chant (square)
2
full mensural
2
strene notation
1
void mensural
5
Monophonic Notation
absent
3
present
2
Level of Calligraphy
fair
1
high
4
Non-verbal Performance Instructions
coronae
2
end symbol
4
pointers
1
repeat signs
2
signa congruentiae
5
signes-de-renvoi
2
Copying of Text
Language
English
3
French
1
Latin
5
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
2
fully texted with one text
5
fully texted with two or more texts
1
partially texted with one text
3
provided with one or two incipits
1
provided with single incipit
3
untexted
5
Type of Script
cursive
1
cursive (Anglicana)
2
cursive (humanistic)
1
cursive (italic)
1
textura
1
Level of Calligraphy
fair
3
high
3
Colour of Text
black
2
brown
1
dark brown
3
red
3
Multiple Texts
no
3
yes
2
Decoration
Miniatures Frequency
never
3
Borders Frequency
never
3
Borders Size
Painted Initials Frequency
often
1
rarely
1
sometimes
1
Painted Initials Type
decorated
1
flourished
2
plain initials
2
Penned Initials Frequency
normally
1
occasionally
1
rarely
3
Penned Initials Type
calligraphic
3
calligraphic with decoration
2
calligraphic with grotesque heads
2
plain initials
1
Planned Initials Frequency
normally
1
rarely
5
Planned Initials Type
Other Decoration Frequency
never
1
occasionally
1
often
1
rarely
1
sometimes
1
Other Decoration Type
decorative final long
1
end-symbol
3
littera notabilior
1
Filters applied
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Level of calligraphy music: very high
Painted initials frequency: sometimes
Presence absence of text: fully texted with one text
Production method: Manuscript
Search results
1
Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
1