PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Czech Republic
1
Germany
2
Italy
2
Portugal
1
Cities
Casale Monferrato
1
Catalonia
1
Coimbra
1
Florence
1
Glarus, Switzerland
1
Halberstadt
1
Hradec Králové
1
Leipzig
1
Torgau
1
Zwickau
1
Production method
Manuscript
9
Physical type
choirbook
6
partbook (single)
1
partbooks (complete set)
1
partbooks (incomplete set)
1
Material
paper
9
Format
oblong
2
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
n/a
1
never
3
none visible
4
normally
1
Height of Staves
Colour of Staves
black
5
brown
5
dark brown
1
red
1
Ruling Medium
printed staves
1
single rastrum
8
straightedge
2
Number of staves
10
2
11
3
12
1
13
1
5
2
6
4
7
2
8
1
9
3
Disposition of Voice Parts
1-part single page
9
2-part opening
3
2-part score
1
2-part single page
4
3-part consecutive
1
3-part opening
6
3-part score
1
3-part single page
3
4-part opening
5
4-part score
1
4-part single page
2
5-part opening
3
8-part opening
1
n/a
1
Indentation for Initials
double
1
none
2
single
9
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
8
left below voice parts as part of grid
1
left between voice parts as part of grid
1
none
1
Space Provided for Separate Text
no separate text
6
not in dedicated space
3
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
4
notation and staves extended into margin
7
notation extended into margin
3
other
2
partial additional staves
5
staveline added
3
staves extended into margin
1
Copying of Music
Colour of Notation
black
3
brown
7
dark brown
1
Type of Notation
chant (Gothic)
1
chant (square)
1
full mensural
1
void mensural
9
Monophonic Notation
absent
7
present
2
Level of Calligraphy
fair
5
high
3
poor
2
Non-verbal Performance Instructions
coronae
1
end symbol
2
pointers
1
repeat signs
3
signa congruentiae
3
signes-de-renvoi
4
space-filler
1
Copying of Text
Language
Czech
1
Dutch
1
French
4
German
2
Italian
3
Latin
9
Spanish
2
Presence or Absence of Text
fully texted with one or two texts
3
fully texted with one text
9
fully texted with two texts
1
partially texted with one text
5
provided with one or two incipits
2
provided with single incipit
5
untexted
7
varies
1
Type of Script
cursive
4
cursive (German)
2
cursive (bastarda)
3
cursive (humanistic)
1
display script
2
various
1
Level of Calligraphy
fair
5
high
3
poor
2
Colour of Text
black
6
blue
1
brown
9
dark brown
1
red
2
Multiple Texts
no
6
yes
4
Decoration
Miniatures Frequency
never
2
Borders Frequency
never
1
rarely
1
Borders Size
partial borders: one-sided
1
Painted Initials Frequency
never
1
rarely
2
Painted Initials Type
decorated
1
Penned Initials Frequency
always
2
never
1
normally
2
occasionally
3
often
2
rarely
2
Penned Initials Type
calligraphic
5
calligraphic with decoration
3
calligraphic with grotesque heads
3
decorated
1
flourished
2
plain initials
2
Planned Initials Frequency
always
1
normally
1
often
2
rarely
1
sometimes
1
Planned Initials Type
Other Decoration Frequency
occasionally
1
rarely
2
sometimes
3
Other Decoration Type
decorative final long
2
end-symbol
1
littera notabilior
3
Filters applied
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Colour of text: brown
Copy language name: Latin
Disposition of voice part: 1-part single page
Indentation for initials: single
Presence absence of text: fully texted with one text
Search results
1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1