PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
1
Belgium
5
Czech Republic
3
England
1
France
1
Germany
8
Great Britain
4
Italy
11
Silesia
3
Spain
2
Switzerland
5
Cities
Antwerp
1
Arundel
1
Augsburg
2
Basel
5
Bologna
3
Brussels
3
Cambrai
1
England
2
Ferrara
1
Florence
2
Germany
2
Germany (South)
3
Hradec Králové
3
Italy (North)
3
Mantua
2
Mechelen
3
Munich
4
Naples
2
Netherlands
1
Northamptonshire
1
Portugal
1
Rome
2
Savoy, France
1
Schonenberg nr. Bocholt
1
Stirling
1
Vic
1
Vienna
1
Zagan
3
Zaragoza
1
Production method
Manuscript
52
Physical type
choirbook
28
choirbook (fragment)
1
choirbook (single quire(s))
3
composite manuscript with interpolated polyphony
2
monophonic manuscript with interpolated polyphony
2
music treatise(s) containing polyphony
2
non-music manuscript with interpolated polyphony
2
partbook (fragment(s))
1
partbook (single)
5
partbooks (complete set)
4
polyphonic music manuscript appended to polyphonic music print
1
printed book with interpolated polyphony
1
Material
paper
34
paper (with parchment)
2
parchment
14
parchment and paper (mixed)
2
Format
oblong
10
upright
42
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
3
none visible
52
Height of Staves
Colour of Staves
black
31
brown
22
dark brown
1
n/a
1
red
3
Ruling Medium
double rastrum
4
freehand
6
single rastrum
35
straightedge
12
triple rastrum
1
Number of staves
1
3
10
21
11
11
12
9
13
5
14
2
15
1
16
1
17
1
2
7
3
10
4
16
5
21
6
18
7
17
8
23
9
18
Disposition of Voice Parts
1-part single page
15
10-part opening
1
12-part opening
1
19-part opening
1
2-part consecutive
6
2-part opening
19
2-part single page
12
3-part consecutive
4
3-part opening
23
3-part single page
9
4-part consecutive
2
4-part opening
31
4-part single page
7
5-part consecutive
3
5-part opening
22
5-part single page
1
6-part opening
7
7-part opening
1
Indentation for Initials
double
14
none
28
quadruple
2
single
27
triple
5
varies
2
Extra Space Between Voice Parts
empty ruled staves on grid
32
left below voice parts as part of grid
3
left between voice parts as part of grid
3
none
12
staves not ruled on grid
11
variable space, not on grid
9
Space Provided for Separate Text
no separate text
40
not in dedicated space
9
provided, in dedicated space
8
Adhoc Adaptation
Indentation for initials filled in
3
made for complete additional staves
17
none
1
notation and staves extended into margin
27
notation extended into margin
12
other
1
partial additional staves
18
staveline added
4
staves extended into margin
2
Copying of Music
Colour of Notation
black
52
brown
9
dark brown
1
red
2
Type of Notation
German hufnagel
1
chant (Central European)
1
chant (Gothic)
1
chant (square)
4
full mensural
4
void mensural
47
Monophonic Notation
absent
43
present
14
Level of Calligraphy
fair
21
high
20
poor
7
very high
5
very poor
1
Non-verbal Performance Instructions
coronae
3
end symbol
6
none
2
numbers to indicate note lengths
1
pointers
1
repeat signs
8
signa congruentiae
11
signes-de-renvoi
23
Copying of Text
Language
Czech
6
Dutch
3
French
13
German
6
Italian
6
Latin
50
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
6
fully texted with one text
47
fully texted with two or more texts
3
fully texted with two texts
2
partially texted with one or two texts
1
partially texted with one text
9
partially texted with two or more texts
1
provided with multiple incipits
1
provided with one or two incipits
4
provided with single incipit
16
provided with two incipits
1
untexted
20
Type of Script
antiqua
2
cursive
7
cursive (Anglicana)
3
cursive (German)
9
cursive (Italianate)
1
cursive (bastarda)
9
cursive (humanistic)
6
cursive (italic)
1
display script
10
humanistic
1
hybrida
1
textura
15
Level of Calligraphy
fair
28
high
19
poor
5
very high
6
very poor
1
Colour of Text
black
52
blue
3
brown
10
dark brown
1
red
14
Multiple Texts
no
40
yes
17
Decoration
Miniatures Frequency
always
1
never
5
none visible
1
rarely
9
Borders Frequency
never
6
occasionally
2
often
1
rarely
7
sometimes
1
Borders Size
full borders
3
partial borders: one- and two-sided
2
partial borders: one-sided
4
partial borders: two-sided
2
Painted Initials Frequency
always
3
never
2
normally
3
occasionally
3
often
1
rarely
6
sometimes
1
Painted Initials Type
calligraphic with decoration
2
decorated
8
decorated with grotesque heads
1
flourished
3
historiated
5
plain initials
2
trompe l'oeil
1
zoomorphic initial
1
Penned Initials Frequency
always
5
normally
17
occasionally
4
often
5
rarely
5
sometimes
7
Penned Initials Type
calligraphic
22
calligraphic with decoration
6
calligraphic with grotesque heads
6
decorated
3
decorated with grotesque heads
2
flourished
9
littera notabilior
6
plain initials
10
Planned Initials Frequency
always
1
never
1
normally
5
occasionally
3
often
5
rarely
9
sometimes
2
Planned Initials Type
Other Decoration Frequency
always
2
never
4
normally
3
occasionally
1
often
8
rarely
1
sometimes
7
Other Decoration Type
Voice-names
2
banner
2
decorated letters
4
decorative final long
6
diagrams
1
embellished final barline
2
end-symbol
2
littera notabilior
7
Filters applied
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Colour of notation: black
Colour of text: black
Pricking frequency: none visible
Search results
2
Modena, Italy, Biblioteca Estense Universitaria, alpha.M.1.11 (Lat. 454; olim V.H.11), 1481, All folios
Modena, Italy, Biblioteca Estense Universitaria, alpha.M.1.12 (Lat. 455; olim V.H.9), 1481, All folios
1