PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
2
Spain
5
Switzerland
1
Cities
Basel
1
Catalonia
2
Florence
1
Girona
1
Italy
1
Naples
1
Rome
1
Segovia
1
Seville
1
Tarazona
1
Toledo
1
Vic
1
Production method
Manuscript
10
Physical type
choirbook
9
choirbook (single quire(s))
1
Material
paper
10
Format
oblong
1
upright
9
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
3
none visible
5
normally
1
Height of Staves
Colour of Staves
black
2
brown
4
dark brown
4
reddish brown
1
Ruling Medium
double rastrum
2
freehand
1
single rastrum
7
straightedge
1
triple rastrum
1
Number of staves
10
4
11
3
12
4
13
1
6
3
7
2
8
2
9
3
Disposition of Voice Parts
1-part single page
4
2-part opening
3
2-part single page
5
3-part opening
7
3-part single page
5
4-part opening
10
4-part single page
10
5-part opening
8
5-part single page
1
6-part opening
2
8-part opening
1
Indentation for Initials
double
2
none
5
single
7
Extra Space Between Voice Parts
empty ruled staves on grid
10
none
1
Space Provided for Separate Text
no separate text
5
not in dedicated space
6
Adhoc Adaptation
Indentation for initials filled in
5
made for complete additional staves
7
none
1
notation and staves extended into margin
10
notation extended into margin
10
other
1
partial additional staves
10
staveline added
7
staves extended into margin
2
Copying of Music
Colour of Notation
black
5
brown
4
dark brown
4
reddish brown
1
Type of Notation
chant (square)
4
full mensural
2
void mensural
9
Monophonic Notation
absent
5
present
6
Level of Calligraphy
fair
6
high
3
poor
1
Non-verbal Performance Instructions
coronae
3
end symbol
8
none
1
pointers
2
repeat signs
8
signa congruentiae
7
signes-de-renvoi
9
space-filler
2
Copying of Text
Language
Dutch
2
Flemish
1
French
4
German
1
Italian
2
Latin
10
Spanish
4
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
5
fully texted with one text
10
fully texted with two texts
1
partially texted with one or two texts
1
partially texted with one text
7
provided with one or two incipits
4
provided with single incipit
8
untexted
8
Type of Script
cursive
3
cursive (German)
1
cursive (humanistic)
2
cursive (italic)
1
display script
2
hybrida
3
textura
1
Level of Calligraphy
fair
5
high
4
poor
3
Colour of Text
black
5
brown
6
dark brown
5
red
2
reddish brown
1
yellow
1
Multiple Texts
no
6
yes
7
Decoration
Miniatures Frequency
never
4
Borders Frequency
never
4
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
normally
3
occasionally
1
often
2
rarely
3
sometimes
1
Penned Initials Type
calligraphic
7
calligraphic with decoration
6
calligraphic with grotesque heads
4
decorated
1
flourished
1
plain initials
4
Planned Initials Frequency
normally
3
occasionally
1
often
2
rarely
4
sometimes
1
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
never
1
normally
1
occasionally
1
often
1
rarely
2
sometimes
2
Other Decoration Type
decorative final long
3
end-symbol
2
littera notabilior
4
Filters applied
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Adhoc adaptation: notation extended into margin
Adhoc adaptation: partial additional staves
Disposition of voice part: 4-part single page
Presence absence of text: fully texted with one text
Search results
1
Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2440, 1515-1525, All folios
1