PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
6
Spain
1
Switzerland
2
Cities
Basel
2
Florence
5
Naples
1
Rheinfelden
1
Rome
1
Segovia
1
Stirling
1
Toledo
1
Production method
Manuscript
10
Physical type
choirbook
6
partbook (single)
1
partbooks (complete set)
2
tablebook
1
Material
paper
10
Format
bound upright but prepared oblong
1
oblong
4
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
8
often
1
Height of Staves
Colour of Staves
black
1
brown
9
dark brown
1
Ruling Medium
double rastrum
2
freehand
1
single rastrum
7
straightedge
1
triple rastrum
3
Number of staves
10
3
11
2
12
1
2
1
3
3
4
3
5
1
6
6
7
2
8
2
9
2
Disposition of Voice Parts
1-part single page
5
10-part opening
1
19-part opening
1
2-part opening
2
2-part score
1
2-part single page
3
3-part consecutive
1
3-part opening
6
3-part score
1
3-part single page
4
4-part consecutive
1
4-part opening
7
4-part score
1
4-part single page
4
5-part consecutive
1
5-part opening
4
6-part opening
2
8-part opening
1
Indentation for Initials
none
5
single
6
Extra Space Between Voice Parts
empty ruled staves on grid
6
left below voice parts as part of grid
1
left between voice parts as part of grid
1
none
2
variable space, not on grid
1
Space Provided for Separate Text
no separate text
4
not in dedicated space
4
provided, in dedicated space
3
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
3
notation and staves extended into margin
9
notation extended into margin
8
partial additional staves
10
staveline added
3
staves extended into margin
3
Copying of Music
Colour of Notation
black
3
brown
10
Type of Notation
full mensural
1
void mensural
9
Monophonic Notation
absent
8
present
2
Level of Calligraphy
fair
5
high
2
poor
3
Non-verbal Performance Instructions
coronae
2
end symbol
3
numbers to indicate note lengths
1
repeat signs
8
signa congruentiae
10
signes-de-renvoi
7
space-filler
1
Copying of Text
Language
Dutch
3
Flemish
1
French
6
German
2
Italian
5
Latin
8
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
6
fully texted with one text
9
partially texted with one or two texts
2
partially texted with one text
8
provided with one or two incipits
3
provided with single incipit
8
untexted
8
Type of Script
cursive
2
cursive (Anglicana)
1
cursive (bastarda)
1
cursive (humanistic)
1
cursive (italic)
4
display script
1
hybrida
2
roman
1
Level of Calligraphy
fair
7
high
2
poor
4
Colour of Text
black
3
brown
10
dark brown
1
red
1
yellow
1
Multiple Texts
no
8
yes
4
Decoration
Miniatures Frequency
never
1
rarely
1
Borders Frequency
never
1
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
always
1
normally
2
often
2
rarely
2
sometimes
2
Penned Initials Type
calligraphic
4
calligraphic with decoration
3
calligraphic with grotesque heads
2
decorated
1
decorated with grotesque heads
1
flourished
1
historiated
1
plain initials
2
Planned Initials Frequency
normally
4
rarely
1
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
never
1
often
1
rarely
2
Other Decoration Type
decorative final long
1
littera notabilior
2
Filters applied
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Non verbal performance instructions: signa congruentiae
Adhoc adaptation: partial additional staves
Colour of notation: brown
Search results
1
Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
1