PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
2
Germany
2
Great Britain
1
Italy
2
Spain
1
Switzerland
4
Cities
Antwerp
1
Augsburg
1
Basel
4
Bologna
1
Brussels
1
England
1
Ferrara
1
Florence
1
Germany
3
Halberstadt
1
Leipzig
1
Mechelen
1
Netherlands
1
Torgau
1
Zaragoza
1
Production method
Manuscript
13
Physical type
choirbook
7
choirbook (fragment(s))
2
choirbook (single quire(s))
2
composite manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
1
Material
paper
8
paper (with parchment)
1
parchment
2
parchment and paper (mixed)
2
Format
upright
13
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
7
none visible
6
normally
1
often
1
rarely
1
Height of Staves
Colour of Staves
black
9
brown
6
dark brown
1
gold
1
red
1
Ruling Medium
double rastrum
1
freehand
4
quadruple rastrum
1
single rastrum
9
straightedge
3
triple rastrum
1
Number of staves
1
2
10
8
11
3
12
3
13
1
2
2
3
1
4
2
5
1
6
4
7
3
8
7
9
6
Disposition of Voice Parts
1-part single page
5
2-part consecutive
2
2-part opening
4
2-part single page
5
3-part consecutive
3
3-part opening
7
3-part score
1
3-part single page
5
4-part consecutive
1
4-part opening
13
4-part single page
5
5-part opening
8
5-part single page
1
6-part opening
1
7-part opening
1
n/a
1
Indentation for Initials
double
3
none
7
single
10
triple
1
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
8
left below voice parts as part of grid
2
left between voice parts as part of grid
2
none
13
staves not ruled
1
staves not ruled on grid
1
variable space, not on grid
1
Space Provided for Separate Text
no separate text
9
not in dedicated space
4
provided, in dedicated space
7
Adhoc Adaptation
made for complete additional staves
5
none
1
notation and staves extended into margin
8
notation extended into margin
4
other
2
partial additional staves
5
staveline added
2
staves extended into margin
2
Copying of Music
Colour of Notation
black
10
brown
4
dark brown
2
gold
1
red
1
Type of Notation
chant (square)
5
full mensural
2
strene notation
1
void mensural
13
Monophonic Notation
absent
12
present
5
Level of Calligraphy
fair
4
high
3
poor
5
very high
3
Non-verbal Performance Instructions
coronae
6
end symbol
3
none
2
pointers
2
repeat signs
5
signa congruentiae
4
signes-de-renvoi
3
Copying of Text
Language
Dutch
2
English
1
French
4
German
3
Italian
1
Latin
12
Presence or Absence of Text
fully texted with one or two texts
3
fully texted with one text
11
fully texted with two or more texts
2
fully texted with two texts
1
partially texted with one text
5
provided with one or two incipits
4
provided with single incipit
6
untexted
8
varies
1
Type of Script
cursive
4
cursive (Anglicana)
1
cursive (German)
4
cursive (bastarda)
3
cursive (humanistic)
2
display script
1
humanistic
1
roman
1
textura
1
Level of Calligraphy
fair
5
high
3
poor
4
very high
3
Colour of Text
black
9
brown
4
dark brown
2
gold
1
red
3
Multiple Texts
no
11
yes
5
Decoration
Miniatures Frequency
always
1
never
3
rarely
2
Borders Frequency
never
3
rarely
1
Borders Size
full borders
1
Painted Initials Frequency
never
1
often
1
rarely
2
sometimes
3
Painted Initials Type
decorated
1
flourished
1
historiated
1
plain initials
2
trompe l'oeil
1
Penned Initials Frequency
always
3
never
1
normally
2
occasionally
3
often
3
rarely
6
Penned Initials Type
calligraphic
6
calligraphic with grotesque heads
1
decorated
3
decorated with grotesque heads
1
flourished
1
plain initials
4
Planned Initials Frequency
always
2
never
2
normally
1
often
1
rarely
2
sometimes
1
Planned Initials Type
Other Decoration Frequency
always
1
never
2
occasionally
1
often
1
rarely
1
sometimes
1
Other Decoration Type
banner
1
decorative final long
1
end-symbol
1
littera notabilior
1
Filters applied
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Extra space: none
Disposition of voice part: 4-part opening
Physical format: upright
Search results
1
Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
1