PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Great Britain
3
Italy
3
Spain
3
Switzerland
1
Cities
Basel
1
Brussels
1
Casale Monferrato
1
Catalonia
1
England
1
Ferrara
1
Florence
1
Italy (North)
1
London
2
Mantua
1
Mechelen
1
Netherlands
1
Seville
1
Tarazona
1
Zaragoza
1
Production method
Manuscript
14
Physical type
choirbook
9
choirbook (single quire(s))
1
composite manuscript with interpolated polyphony
1
non-music manuscript with interpolated polyphony
1
partbook (single)
1
partbooks (complete set)
1
Material
paper
10
paper (with parchment)
1
parchment
1
parchment and paper (mixed)
2
Format
oblong
3
upright
11
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
4
never
4
none visible
6
normally
2
often
1
Height of Staves
Colour of Staves
black
5
brown
5
dark brown
5
red
1
Ruling Medium
double and single rastra
1
freehand
3
printed staves
1
single rastrum
10
straightedge
3
Number of staves
1
1
10
5
11
3
12
2
13
1
2
2
3
3
4
2
5
2
6
6
7
2
8
4
9
5
Disposition of Voice Parts
1-part single page
6
2-part opening
7
2-part score
1
2-part single page
5
3-part consecutive
2
3-part opening
8
3-part score
1
3-part single page
5
4-part opening
13
4-part single page
7
5-part opening
10
5-part single page
1
6-part opening
3
7-part opening
1
Indentation for Initials
double
5
none
6
single
9
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
13
left below voice parts as part of grid
1
none
5
staves not ruled
1
staves not ruled on grid
1
variable space, not on grid
1
Space Provided for Separate Text
no separate text
8
not in dedicated space
6
provided, in dedicated space
4
Adhoc Adaptation
Indentation for initials filled in
3
made for complete additional staves
7
none
1
notation and staves extended into margin
11
notation extended into margin
10
other
2
partial additional staves
8
staveline added
6
staves extended into margin
3
Copying of Music
Colour of Notation
black
10
blue
1
brown
2
dark brown
6
red
1
Type of Notation
chant (square)
14
full mensural
3
strene notation
1
void mensural
14
Monophonic Notation
absent
5
present
13
Level of Calligraphy
fair
5
high
7
poor
1
very high
1
Non-verbal Performance Instructions
coronae
4
end symbol
8
none
1
pointers
2
repeat signs
6
signa congruentiae
4
signes-de-renvoi
10
space-filler
1
Copying of Text
Language
Dutch
2
English
2
French
1
Italian
1
Latin
14
Spanish
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
4
fully texted with one text
13
fully texted with two or more texts
3
fully texted with two texts
1
partially texted with one text
5
provided with multiple incipits
1
provided with one or two incipits
3
provided with single incipit
6
untexted
8
Type of Script
cursive
4
cursive (Anglicana)
1
cursive (German)
1
cursive (bastarda)
2
cursive (humanistic)
2
display script
2
humanistic
2
rotonda
1
textura
4
various
1
Level of Calligraphy
fair
8
high
6
poor
1
very high
1
Colour of Text
black
10
brown
3
dark brown
6
red
5
Multiple Texts
no
10
yes
8
Decoration
Miniatures Frequency
never
3
rarely
1
Borders Frequency
never
4
Borders Size
Painted Initials Frequency
often
1
rarely
1
sometimes
1
Painted Initials Type
flourished
1
plain initials
2
Penned Initials Frequency
always
3
normally
5
occasionally
2
often
2
rarely
4
sometimes
1
Penned Initials Type
calligraphic
10
calligraphic with decoration
5
calligraphic with grotesque heads
5
decorated
3
decorated with grotesque heads
1
flourished
2
plain initials
6
Planned Initials Frequency
always
1
never
2
normally
1
occasionally
1
often
1
rarely
4
Planned Initials Type
Other Decoration Frequency
always
1
never
2
normally
2
occasionally
2
often
2
rarely
4
sometimes
1
Other Decoration Type
banner
1
decorative final long
7
end-symbol
4
littera notabilior
3
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Type of notation: chant (square)
Type of notation: void mensural
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1
Casale Monferrato, Italy, Archivio Capitolare, Fondo Musicale 1 (olim M(D)), 16th century, All folios
1