PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
11
Czech Republic
3
France
1
Germany
3
Great Britain
2
Italy
7
Silesia
3
Spain
2
Switzerland
2
Cities
Augsburg
1
Basel
2
Bologna
2
Brussels
7
Cambrai
1
Eton
1
Ferrara
2
Flanders
1
Florence
1
Germany
1
Germany (South)
1
Halberstadt
1
Hradec Králové
2
Italy (North)
2
Leipzig
1
London
1
Mantua
1
Mechelen
10
Naples
2
Padua
1
Prague
1
Rome
2
Seville
1
Torgau
1
Vic
1
Windsor
1
Zagan
3
Production method
Manuscript
37
Physical type
chansonnier
1
choirbook
25
choirbook (single quire(s))
2
composite manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
1
non-music manuscript with interpolated polyphony
1
partbook (single)
2
partbooks (complete set)
3
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
22
paper (with parchment)
2
parchment
11
parchment and paper (mixed)
2
Format
oblong
5
upright
32
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
7
never
9
none visible
17
normally
3
occasionally
1
often
3
sometimes
1
Height of Staves
Colour of Staves
black
25
brown
15
dark brown
2
light brown
1
red
1
Ruling Medium
double rastrum
2
freehand
2
single rastrum
33
straightedge
5
Number of staves
10
20
11
8
12
8
13
3
14
2
15
2
16
1
17
1
2
3
3
3
4
7
5
12
6
16
7
15
8
20
9
20
Disposition of Voice Parts
1-part single page
13
2-part consecutive
3
2-part opening
15
2-part single page
12
3-part consecutive
3
3-part opening
24
3-part single page
8
4-part consecutive
2
4-part opening
31
4-part single page
9
5-part consecutive
2
5-part opening
19
5-part single page
1
6-part consecutive
1
6-part opening
7
7-part consecutive
1
8-part consecutive
1
8-part opening
1
9-part consecutive
1
9-part opening
1
n/a
1
Indentation for Initials
all staves indented
1
double
14
none
17
quadruple
2
single
26
triple
9
varies
2
Extra Space Between Voice Parts
empty ruled staves on grid
35
left below voice parts as part of grid
1
left between voice parts as part of grid
3
none
4
staves not ruled on grid
12
variable space, not on grid
6
Space Provided for Separate Text
no separate text
28
not in dedicated space
12
provided, in dedicated space
5
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
37
none
1
notation and staves extended into margin
31
notation extended into margin
15
other
4
partial additional staves
23
staveline added
7
staves extended into margin
4
Copying of Music
Colour of Notation
black
37
brown
7
dark brown
3
red
2
Type of Notation
chant (square)
3
full mensural
4
void mensural
35
Monophonic Notation
absent
31
present
10
Level of Calligraphy
fair
18
high
14
poor
4
very high
4
very poor
1
Non-verbal Performance Instructions
coronae
2
end symbol
6
none
3
pointers
1
repeat signs
4
signa congruentiae
12
signes-de-renvoi
24
space-filler
1
Copying of Text
Language
Czech
6
Dutch
2
English
1
Flemish
2
French
16
German
7
Italian
4
Latin
36
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
4
fully texted with one text
35
fully texted with two or more texts
10
partially texted with one or two texts
2
partially texted with one text
7
partially texted with two or more texts
1
provided with multiple incipits
3
provided with one or two incipits
4
provided with single incipit
18
untexted
18
varies
1
Type of Script
antiqua
1
cursive
8
cursive (Anglicana)
1
cursive (German)
7
cursive (bastarda)
13
cursive (humanistic)
2
cursive (italic)
2
display script
14
humanistic
1
hybrida
1
rotonda
1
textura
5
Level of Calligraphy
fair
19
high
14
poor
4
very high
6
very poor
1
Colour of Text
black
37
brown
9
dark brown
3
red
18
yellow
1
Multiple Texts
no
22
yes
21
Decoration
Miniatures Frequency
never
4
rarely
10
Borders Frequency
never
4
occasionally
1
rarely
8
Borders Size
full and partial borders
1
full borders
2
partial borders: one- and two-sided
1
partial borders: one-sided
2
partial borders: two-sided
3
Painted Initials Frequency
never
3
normally
1
occasionally
3
often
1
rarely
8
Painted Initials Type
calligraphic with decoration
1
decorated
5
decorated with grotesque heads
4
flourished
2
historiated
1
plain initials
1
zoomorphic initial
2
Penned Initials Frequency
always
4
never
1
normally
16
occasionally
6
often
3
rarely
7
sometimes
6
Penned Initials Type
calligraphic
24
calligraphic with decoration
5
calligraphic with grotesque heads
5
decorated
1
decorated with grotesque heads
4
flourished
9
littera notabilior
2
plain initials
9
Planned Initials Frequency
always
4
never
2
normally
3
occasionally
3
often
6
rarely
9
sometimes
3
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
never
4
normally
2
occasionally
3
often
4
rarely
3
sometimes
3
Other Decoration Type
Voice-names
1
banner
1
decorated letters
2
decorative final long
6
embellished final barline
2
end-symbol
1
littera notabilior
2
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Colour of text: black
Adhoc adaptation: made for complete additional staves
Colour of notation: black
Search results
1
Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
1