PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
France
1
Great Britain
1
Italy
4
Spain
3
Cities
Catalonia
2
England
1
Florence
2
France
1
Girona
1
Italy
2
Italy (North)
1
Mantua
2
Paris
1
Segovia
1
Seville
1
Spain
1
Toledo
1
Production method
Manuscript
11
Physical type
choirbook
11
Material
paper
8
paper (with parchment)
1
parchment
1
parchment and paper (mixed)
1
Format
oblong
3
upright
8
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
1
none visible
6
normally
3
Height of Staves
Colour of Staves
brown
7
dark brown
2
light brown
1
reddish brown
1
Ruling Medium
double rastrum
1
freehand
2
single rastrum
8
straightedge
1
triple rastrum
1
Number of staves
10
5
11
3
12
1
6
7
7
2
8
3
9
3
Disposition of Voice Parts
1-part single page
5
2-part opening
6
2-part score
1
2-part single page
7
3-part consecutive
1
3-part opening
11
3-part score
2
3-part single page
11
4-part opening
11
4-part score
1
4-part single page
7
5-part opening
7
5-part single page
2
6-part opening
1
8-part opening
1
Indentation for Initials
none
5
single
8
Extra Space Between Voice Parts
empty ruled staves on grid
11
left below voice parts as part of grid
1
none
1
Space Provided for Separate Text
no separate text
2
not in dedicated space
10
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
6
notation and staves extended into margin
11
notation extended into margin
11
other
1
partial additional staves
8
staveline added
7
staves extended into margin
2
Copying of Music
Colour of Notation
black
3
brown
8
dark brown
2
red
1
reddish brown
1
Type of Notation
chant (square)
3
full mensural
3
strene notation
1
void mensural
10
Monophonic Notation
absent
6
present
5
Level of Calligraphy
fair
7
high
3
poor
1
Non-verbal Performance Instructions
coronae
3
end symbol
7
pointers
4
repeat signs
10
signa congruentiae
7
signes-de-renvoi
8
space-filler
2
Copying of Text
Language
Dutch
2
English
1
Flemish
1
French
8
Italian
5
Latin
10
Spanish
5
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
9
fully texted with one text
10
fully texted with two or more texts
1
fully texted with two texts
1
partially texted with one or two texts
2
partially texted with one text
11
provided with one or two incipits
4
provided with single incipit
10
provided with two incipits
1
untexted
11
Type of Script
cursive
5
cursive (Anglicana)
1
cursive (bastarda)
2
cursive (humanistic)
1
cursive (italic)
1
hybrida
2
Level of Calligraphy
fair
8
high
1
poor
3
Colour of Text
black
2
blue
1
brown
10
dark brown
2
red
2
reddish brown
1
Multiple Texts
no
3
yes
9
Decoration
Miniatures Frequency
never
4
rarely
1
Borders Frequency
always
1
never
4
Borders Size
partial borders: two- and three-sided
1
Painted Initials Frequency
always
1
sometimes
1
Painted Initials Type
decorated
1
flourished
1
plain initials
1
Penned Initials Frequency
normally
3
occasionally
1
often
3
rarely
3
sometimes
1
Penned Initials Type
calligraphic
7
calligraphic with decoration
4
calligraphic with grotesque heads
2
decorated
1
flourished
2
plain initials
4
Planned Initials Frequency
normally
2
often
2
rarely
2
sometimes
2
Planned Initials Type
Other Decoration Frequency
never
1
normally
2
rarely
4
sometimes
1
Other Decoration Type
decorative final long
3
end-symbol
5
littera notabilior
3
Filters applied
Clear all filters
Presence absence of text: untexted
Presence absence of text: partially texted with one text
Production method: Manuscript
Adhoc adaptation: notation extended into margin
Disposition of voice part: 3-part single page
Search results
1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1