PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Spain
3
Cities
Eton
1
Portugal
1
Segovia
1
Seville
1
Tarazona
1
Toledo
1
Production method
Manuscript
5
Physical type
choirbook
5
Material
paper
4
parchment
1
Format
oblong
1
upright
4
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
3
normally
1
Height of Staves
Colour of Staves
black
1
brown
2
dark brown
1
reddish brown
1
Ruling Medium
single rastrum
4
straightedge
1
Number of staves
10
2
11
2
12
1
13
1
14
1
15
1
16
1
17
1
5
1
6
1
7
1
8
1
9
2
Disposition of Voice Parts
2-part opening
3
2-part single page
2
3-part opening
3
3-part single page
2
4-part consecutive
1
4-part opening
5
4-part single page
3
5-part consecutive
1
5-part opening
3
6-part consecutive
1
6-part opening
1
7-part consecutive
1
8-part consecutive
1
8-part opening
2
9-part consecutive
1
9-part opening
1
Indentation for Initials
all staves indented
1
none
2
single
5
Extra Space Between Voice Parts
empty ruled staves on grid
5
staves not ruled on grid
1
Space Provided for Separate Text
not in dedicated space
5
Adhoc Adaptation
Indentation for initials filled in
5
made for complete additional staves
4
notation and staves extended into margin
4
notation extended into margin
4
partial additional staves
4
staveline added
4
staves extended into margin
1
Copying of Music
Colour of Notation
black
2
brown
2
dark brown
2
red
1
Type of Notation
chant (square)
1
full mensural
1
void mensural
4
Monophonic Notation
absent
2
present
3
Level of Calligraphy
fair
2
high
3
Non-verbal Performance Instructions
end symbol
4
repeat signs
3
signa congruentiae
1
signes-de-renvoi
3
space-filler
1
Copying of Text
Language
Flemish
1
French
2
Latin
5
Spanish
2
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
5
partially texted with one text
2
provided with one or two incipits
1
provided with single incipit
2
untexted
2
Type of Script
cursive
1
cursive (humanistic)
2
display script
1
hybrida
2
textura
1
Level of Calligraphy
fair
2
high
2
poor
2
Colour of Text
black
2
brown
3
dark brown
1
red
1
Multiple Texts
no
3
yes
4
Decoration
Miniatures Frequency
never
1
Borders Frequency
never
1
Borders Size
Painted Initials Frequency
often
1
Painted Initials Type
decorated
1
decorated with grotesque heads
1
historiated
1
zoomorphic initial
1
Penned Initials Frequency
normally
2
occasionally
1
often
1
rarely
1
sometimes
2
Penned Initials Type
calligraphic
5
calligraphic with decoration
5
calligraphic with grotesque heads
3
decorated with grotesque heads
1
flourished
3
plain initials
4
Planned Initials Frequency
normally
1
often
1
rarely
2
Planned Initials Type
Other Decoration Frequency
never
1
occasionally
2
often
1
sometimes
1
Other Decoration Type
banner
1
decorative final long
3
Filters applied
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Adhoc adaptation: Indentation for initials filled in
Copy language name: Latin
Disposition of voice part: 4-part opening
Indentation for initials: single
Separate text: not in dedicated space
Search results
1
London, Great Britain, Royal College of Music, MS 1070, 1505-13, All folios
1