PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
France
1
Italy
4
Spain
2
Cities
Catalonia
1
Florence
2
France
1
Italy (North)
1
Mantua
2
Paris
1
Segovia
1
Seville
1
Toledo
1
Production method
Manuscript
8
Physical type
choirbook
8
Material
paper
6
paper (with parchment)
1
parchment
1
Format
oblong
3
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
5
normally
2
Height of Staves
Colour of Staves
brown
5
dark brown
2
reddish brown
1
Ruling Medium
freehand
1
single rastrum
7
triple rastrum
1
Number of staves
10
3
11
2
6
5
7
1
8
2
9
2
Disposition of Voice Parts
1-part single page
3
2-part opening
4
2-part score
1
2-part single page
6
3-part opening
8
3-part score
1
3-part single page
8
4-part opening
8
4-part score
1
4-part single page
6
5-part opening
5
8-part opening
1
Indentation for Initials
none
5
single
5
Extra Space Between Voice Parts
empty ruled staves on grid
8
Space Provided for Separate Text
no separate text
1
not in dedicated space
8
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
4
notation and staves extended into margin
8
notation extended into margin
8
other
1
partial additional staves
5
staveline added
4
staves extended into margin
1
Copying of Music
Colour of Notation
black
1
brown
7
dark brown
1
Type of Notation
chant (square)
2
full mensural
2
void mensural
7
Monophonic Notation
absent
4
present
4
Level of Calligraphy
fair
6
high
2
Non-verbal Performance Instructions
coronae
1
end symbol
5
pointers
1
repeat signs
8
signa congruentiae
5
signes-de-renvoi
6
space-filler
2
Copying of Text
Language
Dutch
2
Flemish
1
French
7
Italian
5
Latin
8
Spanish
4
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
8
fully texted with one text
7
fully texted with two texts
1
partially texted with one or two texts
2
partially texted with one text
8
provided with one or two incipits
2
provided with single incipit
8
provided with two incipits
1
untexted
8
Type of Script
cursive
3
cursive (bastarda)
2
cursive (humanistic)
1
cursive (italic)
1
hybrida
2
Level of Calligraphy
fair
6
high
1
poor
2
Colour of Text
black
2
blue
1
brown
8
dark brown
1
red
1
Multiple Texts
no
2
yes
7
Decoration
Miniatures Frequency
never
2
rarely
1
Borders Frequency
always
1
never
2
Borders Size
partial borders: two- and three-sided
1
Painted Initials Frequency
always
1
Painted Initials Type
decorated
1
Penned Initials Frequency
normally
2
occasionally
1
often
2
rarely
2
sometimes
1
Penned Initials Type
calligraphic
5
calligraphic with decoration
4
calligraphic with grotesque heads
2
decorated
1
flourished
2
plain initials
2
Planned Initials Frequency
normally
2
often
2
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
1
normally
2
rarely
2
sometimes
1
Other Decoration Type
decorative final long
2
end-symbol
3
littera notabilior
2
Filters applied
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Adhoc adaptation: notation extended into margin
Colour of text: brown
Disposition of voice part: 3-part single page
Presence absence of text: fully texted with one or two texts
Production method: Manuscript
Separate text: not in dedicated space
Search results
1
Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2439, c. 1505-10, All folios
1