PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
2
Spain
3
Cities
Barcelona
1
England
1
Ferrara
1
Florence
1
Naples
1
Segovia
1
Tarazona
1
Toledo
1
Production method
Manuscript
7
Physical type
choirbook
6
monophonic manuscript with interpolated polyphony
1
Material
paper
5
parchment and paper (mixed)
2
Format
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
none visible
4
normally
1
Height of Staves
Colour of Staves
black
1
brown
4
dark brown
2
red
1
Ruling Medium
freehand
1
single rastrum
6
straightedge
1
Number of staves
10
3
11
2
12
1
13
1
6
4
7
1
8
2
9
3
Disposition of Voice Parts
1-part single page
1
2-part opening
7
2-part single page
4
3-part consecutive
1
3-part opening
6
3-part score
1
3-part single page
4
4-part opening
6
4-part single page
5
5-part opening
5
5-part single page
1
6-part opening
2
8-part opening
1
Indentation for Initials
double
1
none
3
single
5
Extra Space Between Voice Parts
empty ruled staves on grid
6
left below voice parts as part of grid
1
none
2
Space Provided for Separate Text
no separate text
3
not in dedicated space
5
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
3
made for complete additional staves
5
notation and staves extended into margin
6
notation extended into margin
7
partial additional staves
5
staveline added
7
staves extended into margin
2
Copying of Music
Colour of Notation
black
4
brown
2
dark brown
4
red
1
Type of Notation
chant (square)
4
full mensural
1
strene notation
1
void mensural
7
Monophonic Notation
present
7
Level of Calligraphy
fair
3
high
4
Non-verbal Performance Instructions
coronae
2
end symbol
5
pointers
1
repeat signs
3
signa congruentiae
3
signes-de-renvoi
6
space-filler
1
Copying of Text
Language
English
1
Flemish
1
French
2
Italian
1
Latin
7
Spanish
2
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
6
fully texted with two or more texts
2
partially texted with one text
2
provided with multiple incipits
1
provided with one or two incipits
1
provided with single incipit
3
untexted
2
Type of Script
cursive
2
cursive (Anglicana)
1
cursive (humanistic)
1
display script
1
hybrida
2
textura
2
Level of Calligraphy
fair
3
high
4
poor
1
Colour of Text
black
3
brown
2
dark brown
4
red
3
Multiple Texts
no
5
yes
5
Decoration
Miniatures Frequency
never
3
Borders Frequency
never
3
Borders Size
Painted Initials Frequency
sometimes
1
Painted Initials Type
flourished
1
plain initials
1
Penned Initials Frequency
always
2
normally
3
rarely
2
sometimes
1
Penned Initials Type
calligraphic
7
calligraphic with decoration
4
calligraphic with grotesque heads
3
flourished
3
littera notabilior
1
plain initials
3
Planned Initials Frequency
normally
1
occasionally
1
rarely
3
Planned Initials Type
Other Decoration Frequency
never
2
normally
1
occasionally
1
rarely
2
sometimes
1
Other Decoration Type
decorative final long
3
embellished final barline
1
end-symbol
1
littera notabilior
1
Filters applied
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Disposition of voice part: 2-part opening
Adhoc adaptation: staveline added
Monophonic notation: present
Search results
1
Udine, Italy, Biblioteca Comunale Vincenzo Joppi, MS Joppi 165, 1494-1501, All folios
1