PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Czech Republic
1
Italy
3
Portugal
1
Spain
1
Cities
Coimbra
1
Florence
1
Italy (North)
1
Mantua
1
Naples
1
Prague
1
Rome
1
Segovia
1
Toledo
1
Production method
Manuscript
6
Physical type
choirbook
6
Material
paper
5
paper (with parchment)
1
Format
oblong
1
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
4
sometimes
1
Height of Staves
Colour of Staves
black
2
brown
1
dark brown
2
light brown
1
red
1
Ruling Medium
single rastrum
6
straightedge
1
triple rastrum
1
Number of staves
10
2
11
2
6
1
7
1
8
3
9
3
Disposition of Voice Parts
1-part single page
2
2-part consecutive
1
2-part opening
6
2-part single page
3
3-part consecutive
1
3-part opening
6
3-part single page
4
4-part opening
6
4-part single page
4
5-part consecutive
1
5-part opening
3
5-part single page
1
8-part opening
2
Indentation for Initials
double
1
none
3
single
3
Extra Space Between Voice Parts
empty ruled staves on grid
6
Space Provided for Separate Text
no separate text
3
not in dedicated space
3
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
4
notation and staves extended into margin
3
notation extended into margin
3
partial additional staves
2
staveline added
1
staves extended into margin
2
Copying of Music
Colour of Notation
black
3
brown
4
red
1
Type of Notation
chant (Gothic)
1
chant (square)
1
full mensural
1
void mensural
6
Monophonic Notation
absent
2
present
4
Level of Calligraphy
fair
4
high
2
Non-verbal Performance Instructions
end symbol
3
pointers
1
repeat signs
2
signa congruentiae
4
signes-de-renvoi
5
space-filler
1
Copying of Text
Language
Czech
1
Dutch
1
Flemish
1
French
3
Italian
2
Latin
6
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
2
fully texted with one text
5
fully texted with two or more texts
1
partially texted with one text
2
provided with multiple incipits
1
provided with one or two incipits
1
provided with single incipit
4
untexted
6
Type of Script
cursive
1
cursive (humanistic)
3
cursive (italic)
1
display script
1
hybrida
1
textura
1
various
1
Level of Calligraphy
fair
6
high
2
poor
2
Colour of Text
black
3
brown
5
dark brown
1
red
3
Multiple Texts
no
4
yes
3
Decoration
Miniatures Frequency
never
1
Borders Frequency
never
1
Borders Size
Painted Initials Frequency
rarely
1
Painted Initials Type
decorated
1
Penned Initials Frequency
always
1
normally
3
occasionally
1
often
1
rarely
1
sometimes
2
Penned Initials Type
calligraphic
5
calligraphic with decoration
6
calligraphic with grotesque heads
3
flourished
3
plain initials
1
Planned Initials Frequency
normally
1
occasionally
1
often
2
rarely
1
Planned Initials Type
Other Decoration Frequency
never
1
normally
2
often
1
sometimes
2
Other Decoration Type
decorated letters
1
decorative final long
2
end-symbol
3
Filters applied
Clear all filters
Adhoc adaptation: notation extended into margin
Colour of notation: dark brown
Disposition of voice part: 6-part opening
Miniatures frequency: never
Penned initials type: plain initials
Presence absence of text: partially texted with one text
Search results
1
Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
1