PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
2
Belgium
1
Czech Republic
2
England
1
France
1
Germany
11
Great Britain
4
Italy
23
Portugal
1
Spain
5
Switzerland
8
Cities
Antwerp
1
Arundel
1
Augsburg
3
Barcelona
1
Basel
8
Bologna
3
Cambrai
1
Casale Monferrato
2
Coimbra
1
England
2
Ferrara
1
Florence
9
France
1
Freiburg
2
Germany
2
Germany (South)
3
Hradec Králové
2
Innsbruck
1
Italy
1
Italy (North)
3
Mantua
1
Milan
1
Modena
3
Munich
5
Naples
1
Northamptonshire
1
Rheinfelden
1
Rome
3
Savoy, France
1
Schonenberg nr. Bocholt
1
Segovia
1
Spain
1
Stirling
1
Switzerland
1
Tarazona
1
Toledo
1
Venice
1
Vic
1
Vienna
1
Zaragoza
1
Production method
Manuscript
68
Physical type
choirbook
41
choirbook (fragment)
1
choirbook (single quire(s))
3
composite manuscript with interpolated polyphony
1
monophonic manuscript with interpolated polyphony
3
music treatise(s) containing polyphony
2
non-music manuscript with interpolated polyphony
1
partbook (fragment(s))
1
partbook (single)
5
partbooks (complete set)
3
partbooks (incomplete set)
2
polyphonic music manuscript appended to polyphonic music print
2
printed book with interpolated polyphony
1
single leaf
1
tablebook
1
Material
paper
47
paper (with parchment)
2
parchment
16
parchment (with paper)
1
parchment and paper (mixed)
2
Format
bound upright but prepared oblong
1
oblong
11
upright
56
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
3
none visible
68
rarely
1
Height of Staves
Colour of Staves
black
28
brown
32
dark brown
3
gold
1
light brown
2
n/a
1
red
7
reddish brown
1
Ruling Medium
double and single rastra
1
double rastrum
6
freehand
6
quadruple rastrum
1
single rastrum
49
straightedge
13
triple rastrum
5
Number of staves
1
4
10
25
11
13
12
9
13
5
14
3
15
1
16
1
17
1
2
7
3
11
4
12
5
17
6
23
7
13
8
24
9
20
Disposition of Voice Parts
1-part single page
21
10-part opening
1
12-part opening
1
19-part opening
1
2-part consecutive
5
2-part opening
26
2-part score
1
2-part single page
11
3-part consecutive
3
3-part opening
33
3-part score
1
3-part single page
12
4-part consecutive
2
4-part opening
45
4-part score
1
4-part single page
10
5-part consecutive
3
5-part opening
27
5-part single page
1
6-part opening
10
7-part opening
1
8-part opening
2
Indentation for Initials
double
14
none
42
quadruple
1
single
33
triple
2
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
43
left below voice parts as part of grid
5
left between voice parts as part of grid
3
none
16
staves not ruled on grid
9
variable space, not on grid
8
Space Provided for Separate Text
no separate text
50
not in dedicated space
13
provided, in dedicated space
13
Adhoc Adaptation
Indentation for initials filled in
5
made for complete additional staves
19
none
2
notation and staves extended into margin
36
notation extended into margin
20
other
1
partial additional staves
22
staveline added
9
staves extended into margin
4
Copying of Music
Colour of Notation
black
42
brown
27
dark brown
4
gold
1
light brown
2
red
3
Type of Notation
German hufnagel
1
chant (Gothic)
1
chant (square)
4
full mensural
5
void mensural
63
Monophonic Notation
absent
58
present
16
Level of Calligraphy
fair
27
high
27
poor
12
very high
5
very poor
1
Non-verbal Performance Instructions
coronae
5
cue notes
1
end symbol
9
none
3
numbers to indicate note lengths
1
pointers
3
repeat signs
16
signa congruentiae
17
signes-de-renvoi
27
space-filler
1
Copying of Text
Language
Czech
2
Dutch
2
Flemish
1
French
13
German
6
Italian
10
Latin
61
Spanish
3
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
8
fully texted with one text
65
fully texted with two texts
3
partially texted with one or two texts
1
partially texted with one text
18
provided with multiple incipits
1
provided with one or two incipits
5
provided with single incipit
29
provided with two incipits
2
untexted
28
Type of Script
antiqua
2
cursive
11
cursive (Anglicana)
3
cursive (German)
8
cursive (Italianate)
1
cursive (bastarda)
7
cursive (humanistic)
8
cursive (italic)
4
display script
10
humanistic
1
hybrida
4
roman
2
rotonda
1
textura
23
various
2
Level of Calligraphy
fair
31
high
33
poor
11
very high
6
very poor
1
Colour of Text
black
42
blue
5
brown
29
dark brown
4
gold
1
grey
1
light brown
2
red
17
Multiple Texts
no
68
yes
10
Decoration
Miniatures Frequency
always
2
never
6
none visible
1
rarely
9
Borders Frequency
always
1
never
7
occasionally
1
often
1
rarely
5
sometimes
1
Borders Size
full borders
3
partial borders: one- and two-sided
1
partial borders: one-sided
4
partial borders: two-sided
1
Painted Initials Frequency
always
4
normally
3
occasionally
2
often
1
rarely
6
sometimes
2
Painted Initials Type
calligraphic with decoration
1
decorated
10
flourished
2
historiated
4
plain initials
2
trompe l'oeil
1
zoomorphic initial
1
Penned Initials Frequency
always
6
normally
16
occasionally
7
often
11
rarely
8
sometimes
12
Penned Initials Type
calligraphic
34
calligraphic with decoration
11
calligraphic with grotesque heads
8
decorated
4
decorated with grotesque heads
2
flourished
15
historiated
1
littera notabilior
6
plain initials
9
Planned Initials Frequency
always
2
never
1
normally
8
occasionally
4
often
7
rarely
9
sometimes
6
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
6
never
4
normally
4
occasionally
2
often
11
rarely
2
sometimes
7
Other Decoration Type
Voice-names
1
banner
2
decorated letters
7
decorative final long
8
diagrams
1
embellished final barline
5
end-symbol
2
littera notabilior
9
Filters applied
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Monophonic notation exact%3aabsent
Pricking frequency: none visible
Multiple texts: no
Search results
1
London, Great Britain, British Library, MS Additional 35087, 1505-06,
1