PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
13
Czech Republic
1
Italy
2
Cities
Brussels
10
Ferrara
2
Flanders
1
Florence
1
Mechelen
13
Prague
1
Production method
Manuscript
19
Physical type
chansonnier
1
choirbook
18
Material
paper
4
paper (with parchment)
1
parchment
14
Format
oblong
1
upright
18
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
12
never
1
none visible
1
occasionally
1
often
4
sometimes
1
Height of Staves
Colour of Staves
black
18
brown
2
red
1
Ruling Medium
single rastrum
19
Number of staves
10
16
11
7
12
3
13
1
2
2
3
1
4
2
5
5
6
11
7
10
8
14
9
17
Disposition of Voice Parts
1-part single page
6
2-part consecutive
1
2-part opening
12
2-part single page
6
3-part consecutive
1
3-part opening
16
3-part single page
3
4-part opening
19
4-part single page
3
5-part consecutive
1
5-part opening
13
5-part single page
2
6-part opening
5
7-part opening
1
Indentation for Initials
double
16
none
2
quadruple
3
single
16
triple
13
Extra Space Between Voice Parts
empty ruled staves on grid
19
none
1
staves not ruled
3
staves not ruled on grid
11
variable space, not on grid
4
Space Provided for Separate Text
no separate text
16
not in dedicated space
4
provided, in dedicated space
3
Adhoc Adaptation
made for complete additional staves
9
notation and staves extended into margin
14
notation extended into margin
6
partial additional staves
9
staveline added
1
staves extended into margin
2
Copying of Music
Colour of Notation
black
19
red
3
Type of Notation
chant (square)
2
full mensural
2
void mensural
19
Monophonic Notation
absent
14
present
6
Level of Calligraphy
fair
1
high
6
very high
12
Non-verbal Performance Instructions
coronae
1
custodes
1
end symbol
1
repeat signs
3
signa congruentiae
13
signes-de-renvoi
19
space-filler
2
Copying of Text
Language
Czech
1
Dutch
1
Flemish
4
French
9
Latin
19
Presence or Absence of Text
fully texted with one text
19
fully texted with two or more texts
19
provided with multiple incipits
2
provided with single incipit
6
untexted
4
Type of Script
cursive (bastarda)
16
cursive (humanistic)
1
display script
15
textura
3
Level of Calligraphy
fair
1
high
6
very high
13
Colour of Text
black
19
blue
1
red
17
Multiple Texts
no
2
yes
19
Decoration
Miniatures Frequency
never
1
rarely
14
Borders Frequency
never
3
occasionally
1
rarely
10
Borders Size
full and partial borders
2
full borders
3
partial borders: one- and two-sided
2
partial borders: one-sided
3
partial borders: two-sided
1
Painted Initials Frequency
never
2
occasionally
1
often
2
rarely
13
Painted Initials Type
decorated
3
decorated with grotesque heads
2
plain initials
1
zoomorphic initial
1
Penned Initials Frequency
always
1
normally
13
occasionally
6
often
2
rarely
6
sometimes
2
Penned Initials Type
calligraphic
9
calligraphic with decoration
2
calligraphic with grotesque heads
2
decorated with grotesque heads
2
flourished
4
plain initials
1
Planned Initials Frequency
never
10
often
2
rarely
5
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
11
occasionally
1
often
1
rarely
2
Other Decoration Type
decorative final long
1
end-symbol
1
littera notabilior
1
Filters applied
Clear all filters
Multiple texts: yes
Non verbal performance instructions: signes-de-renvoi
Presence absence of text: fully texted with one text
Presence absence of text: fully texted with two or more texts
Type of notation: void mensural
Search results
1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1