PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
4
Italy
1
Cities
London
4
Verona
1
Production method
Manuscript
5
Physical type
choirbook
1
partbooks (complete set)
4
Material
paper
5
Format
oblong
4
upright
1
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
5
Height of Staves
Colour of Staves
black
5
Ruling Medium
double and single rastra
1
printed staves
4
Number of staves
11
1
3
4
Disposition of Voice Parts
1-part single page
3
4-part opening
1
n/a
1
Indentation for Initials
double
5
Extra Space Between Voice Parts
empty ruled staves on grid
4
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
4
not in dedicated space
1
Adhoc Adaptation
notation and staves extended into margin
1
notation extended into margin
1
Copying of Music
Colour of Notation
black
5
Type of Notation
chant (square)
1
void mensural
5
Monophonic Notation
absent
3
present
2
Level of Calligraphy
fair
5
Non-verbal Performance Instructions
Copying of Text
Language
Latin
5
Presence or Absence of Text
fully texted with one text
5
Type of Script
cursive
4
textura
1
Level of Calligraphy
fair
5
Colour of Text
black
5
Multiple Texts
no
2
yes
3
Decoration
Miniatures Frequency
rarely
1
Borders Frequency
Borders Size
Painted Initials Frequency
normally
1
Painted Initials Type
Penned Initials Frequency
normally
1
occasionally
1
often
2
rarely
1
sometimes
2
Penned Initials Type
decorated
4
plain initials
4
Planned Initials Frequency
occasionally
1
Planned Initials Type
Other Decoration Frequency
rarely
1
Other Decoration Type
signes-de-renvoi
1
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Level of calligraphy music: fair
Indentation for initials: double
Pricking frequency: never
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1
Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
1