PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
4
Switzerland
2
Cities
Basel
2
Fossombrone
2
Rheinfelden
1
Venice
2
Production method
Manuscript
2
Printed work
7
Physical type
partbooks (complete set)
9
Material
paper
9
Format
oblong
8
upright
1
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
n/a
7
none visible
1
often
1
Height of Staves
Colour of Staves
black
6
brown
2
Ruling Medium
single rastrum
2
Number of staves
3
1
4
3
5
3
6
8
Disposition of Voice Parts
1-part single page
8
2-part single page
1
Indentation for Initials
double
6
none
3
single
6
Extra Space Between Voice Parts
left below voice parts as part of grid
1
none
2
Space Provided for Separate Text
no separate text
8
provided, in dedicated space
1
Adhoc Adaptation
notation and staves extended into margin
1
notation extended into margin
1
partial additional staves
2
Copying of Music
Colour of Notation
black
8
brown
2
Type of Notation
void mensural
9
Monophonic Notation
absent
9
Level of Calligraphy
n/a
7
poor
2
Non-verbal Performance Instructions
coronae
6
repeat signs
1
signa congruentiae
9
signes-de-renvoi
1
Copying of Text
Language
Dutch
1
French
1
German
1
Latin
8
Presence or Absence of Text
fully texted with one text
9
partially texted with one text
6
provided with one or two incipits
5
provided with single incipit
1
untexted
1
Type of Script
cursive
1
cursive (humanistic)
1
roman
2
rotonda
5
Level of Calligraphy
fair
1
n/a
7
poor
2
Colour of Text
black
8
brown
2
Multiple Texts
no
8
Decoration
Miniatures Frequency
never
2
rarely
1
Borders Frequency
never
2
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
Penned Initials Type
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
never
1
Other Decoration Type
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Physical type: partbooks (complete set)
Non verbal performance instructions: signa congruentiae
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