PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
8
Cities
Bologna
1
Ferrara
1
Florence
5
Naples
1
Rome
1
Production method
Manuscript
8
Physical type
choirbook
7
partbook (single)
1
Material
paper
5
parchment
3
Format
oblong
3
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
2
none visible
5
often
1
Height of Staves
Colour of Staves
black
1
brown
4
light brown
1
red
1
reddish brown
1
Ruling Medium
double rastrum
1
single rastrum
6
triple rastrum
1
Number of staves
10
1
4
1
6
2
7
3
9
1
Disposition of Voice Parts
1-part single page
3
2-part opening
2
2-part score
1
2-part single page
1
3-part opening
7
3-part score
1
3-part single page
3
4-part opening
7
4-part score
1
4-part single page
3
5-part opening
2
6-part opening
1
Indentation for Initials
none
5
single
3
Extra Space Between Voice Parts
empty ruled staves on grid
7
left between voice parts as part of grid
1
Space Provided for Separate Text
no separate text
6
not in dedicated space
2
provided, in dedicated space
1
Adhoc Adaptation
notation and staves extended into margin
6
notation extended into margin
5
partial additional staves
2
staveline added
2
staves extended into margin
2
Copying of Music
Colour of Notation
black
4
brown
4
dark brown
1
Type of Notation
void mensural
8
Monophonic Notation
absent
8
Level of Calligraphy
fair
1
high
8
Non-verbal Performance Instructions
coronae
1
end symbol
1
pointers
1
repeat signs
4
signa congruentiae
5
signes-de-renvoi
4
Copying of Text
Language
Dutch
1
Flemish
1
French
8
Italian
4
Latin
8
Spanish
3
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
3
fully texted with one text
5
partially texted with one or two texts
1
partially texted with one text
5
partially texted with two texts
1
provided with one or two incipits
2
provided with single incipit
7
provided with two incipits
2
untexted
8
Type of Script
cursive (bastarda)
2
cursive (humanistic)
4
cursive (italic)
2
humanistic
1
hybrida
1
roman
1
Level of Calligraphy
fair
3
high
5
poor
2
Colour of Text
black
3
brown
5
dark brown
1
reddish brown
1
Multiple Texts
no
7
yes
2
Decoration
Miniatures Frequency
rarely
1
Borders Frequency
rarely
3
Borders Size
partial borders: one-sided
1
partial borders: three-sided
1
partial borders: two-sided
2
Painted Initials Frequency
normally
2
rarely
3
Painted Initials Type
decorated
3
historiated
1
zoomorphic initial
1
Penned Initials Frequency
always
1
normally
4
often
1
rarely
1
sometimes
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
2
calligraphic with grotesque heads
2
flourished
1
historiated
1
plain initials
1
Planned Initials Frequency
occasionally
1
rarely
1
sometimes
1
Planned Initials Type
Other Decoration Frequency
normally
1
often
1
rarely
1
sometimes
1
Other Decoration Type
decorated letters
1
end-symbol
1
littera notabilior
1
signes-de-renvoi
1
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Colour of notation: black
Colour of staves: black
Disposition of voice part: 5-part opening
Level of calligraphy text: high
Locations name: Munich, Germany
Monophonic notation: absent
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1
Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
1