PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Great Britain
1
Italy
3
Cities
Brussels
1
Ferrara
2
Florence
1
London
1
Mechelen
1
Netherlands
1
Savoy, France
1
Production method
Manuscript
7
Physical type
chansonnier
1
choirbook
6
Material
parchment
6
parchment (with paper)
1
Format
oblong
1
upright
6
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
none visible
2
normally
1
often
1
sometimes
1
Height of Staves
Colour of Staves
black
5
brown
2
red
1
Ruling Medium
double rastrum
1
single rastrum
5
straightedge
1
triple rastrum
1
Number of staves
1
1
10
3
11
1
12
1
2
1
3
1
4
2
5
2
6
4
7
2
8
4
9
5
Disposition of Voice Parts
1-part single page
2
2-part opening
4
2-part single page
1
3-part opening
5
3-part single page
3
4-part opening
6
5-part opening
3
6-part opening
2
7-part opening
1
8-part opening
1
Indentation for Initials
double
2
none
4
single
4
triple
2
Extra Space Between Voice Parts
empty ruled staves on grid
7
left between voice parts as part of grid
2
none
1
staves not ruled
1
staves not ruled on grid
1
variable space, not on grid
1
Space Provided for Separate Text
no separate text
3
not in dedicated space
3
provided, in dedicated space
4
Adhoc Adaptation
notation and staves extended into margin
5
notation extended into margin
3
partial additional staves
4
staveline added
2
Copying of Music
Colour of Notation
black
6
dark brown
1
light brown
1
Type of Notation
chant (square)
1
void mensural
7
Monophonic Notation
absent
5
present
3
Level of Calligraphy
fair
1
high
1
very high
5
Non-verbal Performance Instructions
coronae
1
end symbol
1
pointers
1
repeat signs
1
signa congruentiae
1
signes-de-renvoi
5
Copying of Text
Language
English
1
French
2
Italian
1
Latin
6
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
6
fully texted with two or more texts
2
partially texted with one text
3
provided with one or two incipits
1
provided with single incipit
3
untexted
3
Type of Script
cursive (Anglicana)
1
cursive (bastarda)
3
cursive (italic)
1
display script
2
textura
3
Level of Calligraphy
high
3
poor
1
very high
5
Colour of Text
black
6
blue
1
dark brown
1
light brown
1
red
3
Multiple Texts
no
3
yes
5
Decoration
Miniatures Frequency
never
1
rarely
3
Borders Frequency
never
2
often
1
rarely
5
Borders Size
full borders
2
partial borders: one-sided
2
partial borders: two-sided
2
Painted Initials Frequency
often
7
rarely
3
Painted Initials Type
calligraphic
1
decorated
5
decorated with grotesque heads
1
flourished
3
historiated
1
plain initials
2
zoomorphic initial
1
Penned Initials Frequency
normally
3
often
1
rarely
1
sometimes
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
1
calligraphic with grotesque heads
1
decorated with grotesque heads
1
flourished
3
Planned Initials Frequency
never
1
occasionally
1
rarely
2
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
2
often
2
rarely
1
Other Decoration Type
banner
2
littera notabilior
1
Filters applied
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Type of notation: void mensural
Extra space: empty ruled staves on grid
Painted initials frequency: often
Search results
1
Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
1