PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Great Britain
1
Italy
5
Spain
2
Switzerland
2
Cities
Basel
2
Bruges
1
Catalonia
2
Florence
2
France
1
Girona
1
Italy
1
London
1
Mantua
1
Rheinfelden
2
Rome
2
Segovia
1
Toledo
1
Production method
Manuscript
14
Physical type
choirbook
11
partbook (single)
1
partbooks (complete set)
1
partbooks (incomplete set)
1
Material
paper
10
paper (with parchment)
1
parchment
3
Format
oblong
2
upright
12
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
1
none visible
7
normally
3
often
1
rarely
1
Height of Staves
Colour of Staves
black
2
brown
8
dark brown
3
gold
1
red
2
Ruling Medium
double rastrum
3
freehand
3
quadruple rastrum
1
single rastrum
9
straightedge
1
triple rastrum
2
Number of staves
1
2
10
4
11
2
12
1
2
1
3
1
4
1
5
1
6
4
7
1
8
5
9
3
Disposition of Voice Parts
1-part single page
5
2-part opening
4
2-part score
1
2-part single page
4
3-part opening
10
3-part score
1
3-part single page
5
4-part opening
10
4-part single page
5
5-part opening
5
5-part single page
1
8-part opening
1
Indentation for Initials
double
2
none
8
single
7
Extra Space Between Voice Parts
empty ruled staves on grid
12
none
3
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
4
not in dedicated space
8
provided, in dedicated space
3
Adhoc Adaptation
Indentation for initials filled in
3
made for complete additional staves
4
none
1
notation and staves extended into margin
13
notation extended into margin
13
other
1
partial additional staves
7
staveline added
7
Copying of Music
Colour of Notation
black
4
blue
1
brown
6
dark brown
3
gold
1
light brown
1
reddish brown
1
Type of Notation
chant (square)
2
full mensural
3
void mensural
14
Monophonic Notation
absent
10
present
4
Level of Calligraphy
fair
7
high
5
poor
2
very high
1
Non-verbal Performance Instructions
coronae
3
end symbol
6
pointers
2
repeat signs
9
signa congruentiae
14
signes-de-renvoi
10
space-filler
2
Copying of Text
Language
Dutch
4
English
1
Flemish
1
French
7
Italian
5
Latin
13
Spanish
3
Presence or Absence of Text
fully texted with one or two texts
7
fully texted with one text
12
fully texted with two texts
3
partially texted with one or two texts
1
partially texted with one text
11
provided with one or two incipits
2
provided with single incipit
10
provided with two incipits
1
untexted
10
Type of Script
cursive
14
cursive (bastarda)
2
hybrida
1
roman
1
Level of Calligraphy
fair
10
high
3
poor
4
very high
1
Colour of Text
black
4
blue
1
brown
10
dark brown
3
gold
1
light brown
1
red
2
reddish brown
1
Multiple Texts
no
9
yes
8
Decoration
Miniatures Frequency
never
3
rarely
1
Borders Frequency
always
1
never
3
rarely
1
Borders Size
full borders
1
partial borders: one- and two-sided
1
Painted Initials Frequency
always
1
occasionally
1
sometimes
1
Painted Initials Type
decorated
2
Penned Initials Frequency
normally
4
occasionally
3
often
1
rarely
4
sometimes
3
Penned Initials Type
calligraphic
7
calligraphic with decoration
4
calligraphic with grotesque heads
3
decorated
2
flourished
3
plain initials
3
Planned Initials Frequency
normally
3
often
3
rarely
4
sometimes
1
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
never
1
normally
1
occasionally
3
rarely
2
sometimes
1
Other Decoration Type
banner
1
decorative final long
1
end-symbol
4
littera notabilior
3
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Non verbal performance instructions: signa congruentiae
Type of script: cursive
Search results
1
Florence, Italy, Biblioteca Riccardiana, MS 2356, c. 1480-1485, All folios
1