PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
1
England
1
Germany
7
Great Britain
1
Netherlands
2
Switzerland
12
Cities
Augsburg
2
Basel
12
Emmerich
1
France
1
Freiburg
1
Germany
6
Halberstadt
1
Innsbruck
1
Italy
1
Köln
1
Leipzig
2
Maastricht
1
Munich
1
Northamptonshire
1
Rheinfelden
2
Spain
1
Stirling
1
Torgau
1
Utrecht
1
Zwickau
1
Production method
Manuscript
26
Physical type
choirbook
7
choirbook (fragment(s))
3
choirbook (single quire(s))
5
partbook (fragment)
1
partbook (single)
2
partbooks (complete set)
4
partbooks (incomplete set)
1
poetry collection with some notated music
2
printed book with interpolated polyphony
1
Material
paper
24
parchment
2
Format
oblong
5
upright
21
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
13
none visible
13
often
1
Height of Staves
Colour of Staves
black
12
brown
15
dark brown
1
light brown
2
Ruling Medium
freehand
8
single rastrum
18
straightedge
6
Number of staves
1
1
10
6
11
4
12
8
13
3
14
2
2
4
3
7
4
6
5
9
6
12
7
10
8
9
9
7
Disposition of Voice Parts
1-part single page
14
10-part opening
1
19-part opening
1
2-part consecutive
2
2-part opening
2
2-part single page
3
3-part consecutive
4
3-part opening
8
3-part single page
6
4-part consecutive
1
4-part opening
11
4-part single page
6
5-part consecutive
1
5-part opening
5
6-part opening
1
n/a
2
Indentation for Initials
none
13
single
13
triple
1
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
8
left below voice parts as part of grid
7
left between voice parts as part of grid
5
none
14
variable space, not on grid
3
Space Provided for Separate Text
no separate text
16
not in dedicated space
2
provided, in dedicated space
9
Adhoc Adaptation
made for complete additional staves
7
none
1
notation and staves extended into margin
13
notation extended into margin
5
other
2
partial additional staves
9
staveline added
1
Copying of Music
Colour of Notation
black
13
brown
18
light brown
1
Type of Notation
German hufnagel
2
chant (square)
1
full mensural
1
void mensural
25
Monophonic Notation
absent
24
present
5
Level of Calligraphy
fair
6
poor
26
very poor
1
Non-verbal Performance Instructions
coronae
3
none
6
numbers to indicate note lengths
1
pointers
2
repeat signs
4
signa congruentiae
6
signes-de-renvoi
7
Copying of Text
Language
Dutch
3
French
6
German
10
Italian
1
Latin
20
Spanish
1
n/a
1
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
23
fully texted with two texts
1
partially texted with one or two texts
1
partially texted with one text
11
provided with multiple incipits
1
provided with one or two incipits
4
provided with single incipit
13
untexted
12
varies
2
Type of Script
cursive
9
cursive (Anglicana)
2
cursive (German)
13
cursive (bastarda)
1
cursive (humanistic)
2
textura
1
Level of Calligraphy
fair
10
high
1
poor
17
very poor
1
Colour of Text
black
13
brown
17
light brown
1
Multiple Texts
no
25
yes
3
Decoration
Miniatures Frequency
never
6
rarely
3
Borders Frequency
never
4
rarely
1
Borders Size
partial borders: two-sided
1
Painted Initials Frequency
always
2
never
3
normally
1
Painted Initials Type
decorated
1
plain initials
2
Penned Initials Frequency
always
2
never
1
normally
1
occasionally
3
often
1
rarely
2
sometimes
3
Penned Initials Type
calligraphic
5
decorated
1
decorated with grotesque heads
1
littera notabilior
4
plain initials
2
Planned Initials Frequency
always
3
normally
1
occasionally
2
often
1
rarely
2
sometimes
2
Planned Initials Type
Other Decoration Frequency
always
1
normally
1
occasionally
1
rarely
1
sometimes
2
Other Decoration Type
decorated letters
1
littera notabilior
2
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Level of calligraphy music: poor
Search results
2
Edinburgh, Great Britain, National Library of Scotland, MS Adv. 5.1.15, c. 1501-1546, All folios
Munich, Germany, Bayerische Staatsbibliothek, Musica MS 38 (olim H.C.47; = MaiM 59), c. 1510-31, All folios
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