PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Toggle navigation
Home
Search
About
How to use the resource
Source list
Bibliography
Search
Search:
Filters
Date
Locations of Origin
Countries
Belgium
3
Italy
2
Spain
1
Cities
Brussels
2
Casale Monferrato
1
Flanders
1
Florence
1
France
1
Mechelen
3
Vic
1
Production method
Manuscript
8
Physical type
chansonnier
1
choirbook
7
Material
paper
4
paper (with parchment)
1
parchment
3
Format
oblong
2
upright
6
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
none visible
3
normally
1
occasionally
1
often
1
sometimes
1
Height of Staves
Colour of Staves
black
5
brown
1
dark brown
2
light brown
1
Ruling Medium
double and single rastra
1
double rastrum
2
single rastrum
6
straightedge
1
Number of staves
10
5
11
3
12
1
4
1
5
3
6
4
7
3
8
4
9
5
Disposition of Voice Parts
1-part single page
2
2-part opening
2
2-part single page
2
3-part opening
7
4-part opening
8
4-part single page
1
5-part opening
4
6-part opening
2
Indentation for Initials
double
8
none
3
quadruple
1
single
5
triple
3
Extra Space Between Voice Parts
empty ruled staves on grid
8
staves not ruled on grid
2
Space Provided for Separate Text
no separate text
5
not in dedicated space
3
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
7
notation and staves extended into margin
6
notation extended into margin
5
partial additional staves
6
staveline added
3
Copying of Music
Colour of Notation
black
6
blue
1
brown
2
dark brown
1
gold
1
Type of Notation
chant (square)
1
full mensural
1
void mensural
8
Monophonic Notation
absent
8
present
1
Level of Calligraphy
fair
3
high
4
very high
1
Non-verbal Performance Instructions
coronae
1
end symbol
2
repeat signs
5
signa congruentiae
4
signes-de-renvoi
8
space-filler
2
Copying of Text
Language
Dutch
2
Flemish
1
French
6
Italian
1
Latin
8
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
1
fully texted with one text
7
fully texted with two or more texts
4
partially texted with one or two texts
2
partially texted with one text
2
partially texted with two texts
1
provided with one or two incipits
1
provided with single incipit
8
untexted
7
Type of Script
cursive (bastarda)
5
cursive (humanistic)
1
cursive (italic)
1
display script
4
textura
1
various
1
Level of Calligraphy
fair
2
high
4
poor
1
very high
1
Colour of Text
black
5
brown
3
dark brown
1
red
3
Multiple Texts
no
2
yes
7
Decoration
Miniatures Frequency
never
2
rarely
2
Borders Frequency
never
2
rarely
1
Borders Size
full and partial borders
1
Painted Initials Frequency
never
1
occasionally
1
rarely
2
Painted Initials Type
decorated
1
zoomorphic initial
1
Penned Initials Frequency
normally
3
occasionally
2
often
2
rarely
4
Penned Initials Type
calligraphic
6
calligraphic with decoration
1
decorated
1
decorated with grotesque heads
1
flourished
1
plain initials
2
Planned Initials Frequency
always
1
normally
3
rarely
4
sometimes
2
Planned Initials Type
Other Decoration Frequency
never
1
occasionally
2
often
1
sometimes
1
Other Decoration Type
decorative final long
2
littera notabilior
1
Filters applied
Clear all filters
Disposition of voice part: 4-part opening
Copy language name: Latin
Indentation for initials: double
Presence absence of text: provided with single incipit
Search results
1
Munich, Germany, Bayerische Staatsbibliothek, Musica MS 3155 (= MaiM 209), c. 1515-35, All folios
1