PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
3
Spain
1
Cities
Florence
1
France
2
Italy (North)
1
London
1
Mantua
2
Segovia
1
Toledo
1
Production method
Manuscript
9
Physical type
chansonnier
1
choirbook
7
composite manuscript with interpolated polyphony
1
Material
paper
4
paper (with parchment)
1
parchment
2
parchment (with paper)
1
parchment and paper (mixed)
1
Format
oblong
2
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
none visible
7
normally
1
sometimes
1
Height of Staves
Colour of Staves
black
2
brown
5
dark brown
2
light brown
1
red
1
Ruling Medium
freehand
1
single rastrum
8
straightedge
1
Number of staves
1
1
10
3
11
1
2
1
3
1
4
1
5
1
6
4
7
4
8
6
9
4
Disposition of Voice Parts
1-part single page
3
2-part opening
9
2-part score
1
2-part single page
5
3-part opening
9
3-part score
1
3-part single page
6
4-part opening
8
4-part score
1
4-part single page
4
5-part opening
4
8-part opening
1
Indentation for Initials
double
1
none
6
single
7
Extra Space Between Voice Parts
empty ruled staves on grid
9
left between voice parts as part of grid
1
Space Provided for Separate Text
no separate text
1
not in dedicated space
7
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
4
none
1
notation and staves extended into margin
7
notation extended into margin
6
partial additional staves
4
staveline added
4
staves extended into margin
2
Copying of Music
Colour of Notation
black
3
brown
6
light brown
1
Type of Notation
chant (square)
1
void mensural
9
Monophonic Notation
absent
7
present
3
Level of Calligraphy
fair
6
high
4
Non-verbal Performance Instructions
end symbol
3
repeat signs
7
signa congruentiae
6
signes-de-renvoi
6
space-filler
1
Copying of Text
Language
Dutch
2
English
1
Flemish
1
French
9
Italian
5
Latin
8
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
9
fully texted with one text
7
fully texted with two texts
1
partially texted with one or two texts
2
partially texted with one text
9
partially texted with two texts
1
provided with one or two incipits
3
provided with single incipit
9
provided with two incipits
1
untexted
9
Type of Script
cursive
4
cursive (Anglicana)
1
cursive (bastarda)
4
cursive (humanistic)
1
hybrida
1
textura
1
Level of Calligraphy
fair
7
high
3
poor
2
Colour of Text
black
3
blue
1
brown
7
light brown
1
red
1
Multiple Texts
no
4
yes
8
Decoration
Miniatures Frequency
never
2
Borders Frequency
always
1
never
2
Borders Size
partial borders: one- and two-sided
1
Painted Initials Frequency
always
1
often
1
rarely
1
Painted Initials Type
decorated
2
flourished
1
plain initials
1
Penned Initials Frequency
normally
4
occasionally
1
often
1
rarely
2
sometimes
2
Penned Initials Type
calligraphic
5
calligraphic with decoration
3
calligraphic with grotesque heads
2
flourished
2
plain initials
1
Planned Initials Frequency
normally
3
occasionally
1
often
1
rarely
2
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
2
normally
2
occasionally
1
rarely
1
Other Decoration Type
decorative final long
1
end-symbol
2
littera notabilior
2
Filters applied
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Presence absence of text: fully texted with one or two texts
Copy language name: French
Disposition of voice part: 2-part opening
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1
Coimbra, Portugal, Biblioteca Geral da Universidade, MS M.12, First half 16th century, All folios
1