PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Czech Republic
2
Italy
1
Cities
Florence
1
France
2
Hradec Králové
1
Prague
1
Production method
Manuscript
5
Physical type
choirbook
3
partbook (single)
2
Material
paper
3
parchment
2
Format
oblong
1
upright
4
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
none visible
3
sometimes
2
Height of Staves
Colour of Staves
black
2
brown
2
dark brown
1
light brown
2
Ruling Medium
double rastrum
1
freehand
1
single rastrum
4
triple rastrum
1
Number of staves
10
1
2
2
3
1
4
2
5
2
6
2
7
3
8
3
9
2
Disposition of Voice Parts
1-part single page
2
2-part consecutive
1
2-part opening
2
2-part single page
1
3-part consecutive
1
3-part opening
3
3-part single page
1
4-part opening
2
4-part single page
2
5-part consecutive
1
5-part opening
1
5-part single page
1
Indentation for Initials
double
1
none
1
single
5
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
4
variable space, not on grid
1
Space Provided for Separate Text
no separate text
1
not in dedicated space
2
provided, in dedicated space
5
Adhoc Adaptation
made for complete additional staves
5
notation and staves extended into margin
4
notation extended into margin
2
other
1
partial additional staves
4
staveline added
2
staves extended into margin
2
Copying of Music
Colour of Notation
black
2
brown
4
light brown
1
Type of Notation
full mensural
1
void mensural
5
Monophonic Notation
absent
4
present
1
Level of Calligraphy
fair
5
poor
1
Non-verbal Performance Instructions
coronae
1
pointers
1
repeat signs
3
signa congruentiae
3
signes-de-renvoi
4
Copying of Text
Language
Czech
2
Dutch
1
French
2
Italian
1
Latin
3
n/a
1
Presence or Absence of Text
fully texted with one or two texts
4
fully texted with one text
3
fully texted with two or more texts
1
fully texted with two texts
1
partially texted with one or two texts
2
partially texted with one text
4
partially texted with two texts
1
provided with multiple incipits
1
provided with one or two incipits
2
provided with single incipit
4
untexted
5
Type of Script
cursive
1
cursive (bastarda)
2
cursive (humanistic)
1
cursive (italic)
1
display script
1
Level of Calligraphy
fair
5
high
1
Colour of Text
black
2
brown
3
light brown
1
red
2
Multiple Texts
no
1
yes
5
Decoration
Miniatures Frequency
rarely
1
Borders Frequency
rarely
1
Borders Size
partial borders: two-sided
1
Painted Initials Frequency
always
1
Painted Initials Type
decorated
1
Penned Initials Frequency
normally
1
rarely
1
sometimes
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
1
flourished
1
Planned Initials Frequency
always
1
normally
2
often
1
rarely
1
Planned Initials Type
Other Decoration Frequency
normally
1
rarely
1
Other Decoration Type
decorated letters
1
littera notabilior
2
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Disposition of voice part: 3-part opening
Indentation for initials: triple
Non verbal performance instructions: coronae
Number of staves: 9
Production method: Manuscript
Type of script: display script
Search results
1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1