PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
1
Spain
1
Switzerland
1
Cities
Basel
1
Italy (North)
1
Mantua
1
Seville
1
Production method
Manuscript
3
Physical type
choirbook
2
choirbook (single quire(s))
1
Material
paper
2
paper (with parchment)
1
Format
oblong
1
upright
2
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
2
none visible
2
Height of Staves
Colour of Staves
black
1
brown
1
dark brown
1
reddish brown
1
Ruling Medium
freehand
1
single rastrum
3
Number of staves
12
1
6
2
7
1
8
1
Disposition of Voice Parts
1-part single page
1
2-part opening
1
2-part single page
2
3-part opening
2
3-part single page
2
4-part opening
3
4-part single page
3
5-part opening
2
Indentation for Initials
none
3
single
1
Extra Space Between Voice Parts
empty ruled staves on grid
3
none
1
Space Provided for Separate Text
no separate text
1
not in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
2
none
1
notation and staves extended into margin
3
notation extended into margin
3
partial additional staves
2
staveline added
1
Copying of Music
Colour of Notation
black
2
brown
2
Type of Notation
chant (square)
2
void mensural
3
Monophonic Notation
absent
1
present
3
Level of Calligraphy
fair
2
poor
1
Non-verbal Performance Instructions
end symbol
2
none
1
repeat signs
2
signes-de-renvoi
2
Copying of Text
Language
Dutch
1
French
2
Italian
1
Latin
3
Spanish
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
2
fully texted with one text
3
partially texted with one text
3
provided with one or two incipits
3
provided with single incipit
3
untexted
3
Type of Script
cursive (German)
1
cursive (humanistic)
1
hybrida
1
Level of Calligraphy
fair
1
poor
2
Colour of Text
black
2
brown
2
Multiple Texts
no
1
yes
2
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
normally
1
often
1
Penned Initials Type
calligraphic
2
calligraphic with decoration
2
calligraphic with grotesque heads
1
Planned Initials Frequency
often
1
Planned Initials Type
Other Decoration Frequency
normally
1
Other Decoration Type
decorative final long
1
end-symbol
1
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Monophonic notation: present
Ruling medium: single rastrum
Presence absence of text: provided with one or two incipits
Production method: Manuscript
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1
Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
1