PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Netherlands
1
Cities
Utrecht
1
Production method
Manuscript
1
Physical type
poetry collection with some notated music
1
Material
parchment
1
Format
upright
1
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
1
Height of Staves
Colour of Staves
black
1
brown
1
Ruling Medium
freehand
1
single rastrum
1
Number of staves
2
1
3
1
4
1
5
1
6
1
7
1
Disposition of Voice Parts
2-part consecutive
1
3-part consecutive
1
Indentation for Initials
single
1
Extra Space Between Voice Parts
none
1
Space Provided for Separate Text
provided, in dedicated space
1
Adhoc Adaptation
notation and staves extended into margin
1
Copying of Music
Colour of Notation
black
1
brown
1
Type of Notation
German hufnagel
1
full mensural
1
void mensural
1
Monophonic Notation
absent
1
present
1
Level of Calligraphy
fair
1
poor
1
Non-verbal Performance Instructions
Copying of Text
Language
German
1
Latin
1
Presence or Absence of Text
fully texted with one text
1
Type of Script
textura
1
Level of Calligraphy
fair
1
Colour of Text
black
1
brown
1
Multiple Texts
no
1
Decoration
Miniatures Frequency
never
1
Borders Frequency
Borders Size
Painted Initials Frequency
always
1
never
1
Painted Initials Type
plain initials
1
Penned Initials Frequency
Penned Initials Type
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
Other Decoration Type
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Disposition of voice part: 2-part opening
Disposition of voice part: 3-part consecutive
Extra space: left below voice parts as part of grid
Non verbal performance instructions: coronae
Number of staves: 11
Separate text: not in dedicated space
Search results
3
Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Altus
Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor primus
Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor secundus
1