PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
10
Great Britain
1
Spain
1
Cities
Brussels
8
London
1
Mechelen
9
Segovia
1
Toledo
1
Production method
Manuscript
14
Physical type
chansonnier
1
choirbook
13
Material
paper
2
parchment
11
parchment (with paper)
1
Format
upright
14
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
9
none visible
3
normally
1
often
2
Height of Staves
Colour of Staves
black
13
brown
2
red
1
Ruling Medium
single rastrum
13
straightedge
1
Number of staves
1
1
10
14
11
7
12
2
13
1
2
3
3
1
4
2
5
4
6
8
7
9
8
12
9
14
Disposition of Voice Parts
1-part single page
5
2-part opening
9
2-part single page
4
3-part opening
11
3-part single page
2
4-part opening
14
4-part single page
2
5-part opening
11
5-part single page
1
6-part opening
3
7-part opening
1
8-part opening
1
Indentation for Initials
double
12
none
1
quadruple
3
single
13
triple
10
Extra Space Between Voice Parts
empty ruled staves on grid
14
left between voice parts as part of grid
1
none
1
staves not ruled
3
staves not ruled on grid
9
variable space, not on grid
2
Space Provided for Separate Text
no separate text
12
not in dedicated space
1
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
5
notation and staves extended into margin
13
notation extended into margin
4
partial additional staves
7
staveline added
1
Copying of Music
Colour of Notation
black
13
brown
1
red
2
Type of Notation
chant (square)
1
void mensural
14
Monophonic Notation
absent
11
present
4
Level of Calligraphy
fair
1
high
3
very high
10
Non-verbal Performance Instructions
coronae
1
custodes
1
end symbol
2
repeat signs
1
signa congruentiae
12
signes-de-renvoi
13
space-filler
1
Copying of Text
Language
English
1
Flemish
4
French
9
Latin
14
Spanish
1
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
14
fully texted with two or more texts
11
partially texted with one text
2
provided with single incipit
3
untexted
3
Type of Script
cursive
1
cursive (Anglicana)
1
cursive (bastarda)
12
display script
11
hybrida
1
textura
1
Level of Calligraphy
fair
1
high
4
poor
1
very high
10
Colour of Text
black
13
blue
1
brown
1
red
12
Multiple Texts
no
2
yes
14
Decoration
Miniatures Frequency
never
3
rarely
11
Borders Frequency
never
5
occasionally
1
rarely
8
Borders Size
full and partial borders
1
full borders
2
partial borders: one- and two-sided
2
partial borders: one-sided
3
partial borders: two-sided
1
Painted Initials Frequency
never
2
often
2
rarely
11
Painted Initials Type
decorated
2
decorated with grotesque heads
1
flourished
1
plain initials
2
Penned Initials Frequency
normally
10
occasionally
4
often
2
rarely
6
sometimes
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
2
calligraphic with grotesque heads
2
decorated with grotesque heads
1
flourished
2
plain initials
1
Planned Initials Frequency
never
10
normally
1
rarely
3
Planned Initials Type
Other Decoration Frequency
never
14
often
1
Other Decoration Type
littera notabilior
1
Filters applied
Clear all filters
Multiple texts: yes
Number of staves: 9
Other decoration frequency: never
Physical format: upright
Presence absence of text: fully texted with one text
Search results
1
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
1