PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
7
Spain
2
Cities
Catalonia
2
Florence
4
Girona
1
Italy
1
London
1
Mantua
1
Naples
1
Rome
2
Segovia
1
Toledo
1
Production method
Manuscript
11
Physical type
choirbook
10
partbook (single)
1
Material
paper
11
Format
oblong
4
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
2
none visible
6
normally
1
Height of Staves
Colour of Staves
brown
7
dark brown
4
Ruling Medium
double rastrum
2
freehand
2
single rastrum
6
straightedge
2
triple rastrum
3
Number of staves
1
1
10
5
11
3
12
1
2
1
3
1
4
1
5
1
6
5
7
1
8
2
9
2
Disposition of Voice Parts
1-part single page
4
2-part opening
4
2-part score
2
2-part single page
6
3-part opening
9
3-part score
1
3-part single page
6
4-part opening
11
4-part score
1
4-part single page
6
5-part opening
5
5-part single page
1
8-part opening
1
Indentation for Initials
double
1
none
4
single
6
Extra Space Between Voice Parts
empty ruled staves on grid
11
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
5
not in dedicated space
6
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
5
notation and staves extended into margin
11
notation extended into margin
11
other
1
partial additional staves
7
staveline added
5
staves extended into margin
2
Copying of Music
Colour of Notation
black
3
blue
1
brown
7
dark brown
2
red
1
reddish brown
1
Type of Notation
chant (square)
2
full mensural
3
void mensural
10
Monophonic Notation
absent
8
present
3
Level of Calligraphy
fair
8
high
3
Non-verbal Performance Instructions
coronae
2
end symbol
8
pointers
2
repeat signs
8
signa congruentiae
11
signes-de-renvoi
9
space-filler
2
Copying of Text
Language
Dutch
3
English
1
Flemish
1
French
6
German
1
Italian
5
Latin
11
Spanish
4
Presence or Absence of Text
fully texted with one or two texts
6
fully texted with one text
9
fully texted with two texts
1
partially texted with one or two texts
2
partially texted with one text
8
provided with one or two incipits
2
provided with single incipit
9
untexted
10
Type of Script
cursive
7
cursive (bastarda)
1
cursive (italic)
2
display script
1
hybrida
2
textura
1
Level of Calligraphy
fair
11
high
2
poor
1
Colour of Text
black
3
blue
1
brown
10
dark brown
3
red
4
reddish brown
1
yellow
1
Multiple Texts
no
7
yes
6
Decoration
Miniatures Frequency
never
3
Borders Frequency
never
3
Borders Size
Painted Initials Frequency
occasionally
1
Painted Initials Type
Penned Initials Frequency
normally
3
occasionally
3
often
2
rarely
3
sometimes
2
Penned Initials Type
calligraphic
7
calligraphic with decoration
5
calligraphic with grotesque heads
4
decorated
1
flourished
2
plain initials
3
Planned Initials Frequency
normally
3
often
2
rarely
5
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
never
1
normally
1
occasionally
1
often
2
rarely
3
sometimes
1
Other Decoration Type
decorative final long
2
end-symbol
5
littera notabilior
3
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Adhoc adaptation: notation extended into margin
Adhoc adaptation: notation and staves extended into margin
Non verbal performance instructions: signa congruentiae
Copy language name: Latin
Material: paper
Level of calligraphy text: fair
Search results
1
Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F VI 26 f, First quarter of the 16th century,
1