PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
2
Cities
Ferrara
1
Siena
1
Production method
Manuscript
2
Physical type
choirbook
2
Material
paper
1
parchment
1
Format
upright
2
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
Height of Staves
Colour of Staves
black
1
brown
1
Ruling Medium
double and single rastra
1
single rastrum
1
Number of staves
9
2
Disposition of Voice Parts
2-part opening
1
3-part opening
1
3-part single page
1
4-part opening
2
Indentation for Initials
none
1
single
1
Extra Space Between Voice Parts
empty ruled staves on grid
2
Space Provided for Separate Text
not in dedicated space
2
Adhoc Adaptation
made for complete additional staves
1
notation and staves extended into margin
2
notation extended into margin
2
partial additional staves
1
Copying of Music
Colour of Notation
black
1
brown
1
Type of Notation
void mensural
2
Monophonic Notation
present
2
Level of Calligraphy
fair
1
very high
1
Non-verbal Performance Instructions
pointers
1
signes-de-renvoi
2
space-filler
1
Copying of Text
Language
Latin
1
Presence or Absence of Text
fully texted with one text
2
fully texted with two or more texts
1
Type of Script
cursive (humanistic)
1
textura
1
Level of Calligraphy
fair
1
very high
1
Colour of Text
black
1
brown
1
Multiple Texts
yes
2
Decoration
Miniatures Frequency
rarely
1
Borders Frequency
rarely
1
Borders Size
partial borders: two-sided
1
Painted Initials Frequency
often
1
Painted Initials Type
decorated
1
Penned Initials Frequency
normally
1
occasionally
1
Penned Initials Type
calligraphic
1
flourished
1
Planned Initials Frequency
normally
1
Planned Initials Type
Other Decoration Frequency
Other Decoration Type
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Colour of notation: red
Non verbal performance instructions: signes-de-renvoi
Number of staves: 5
Number of staves: 8
Planned initials frequency: rarely
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1
Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
1