PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Toggle navigation
Home
Search
About
How to use the resource
Source list
Bibliography
Search
Search:
Filters
Date
Locations of Origin
Countries
Belgium
14
France
2
Germany
9
Great Britain
4
Italy
10
Spain
4
Switzerland
1
Cities
Augsburg
1
Basel
1
Bologna
1
Brussels
9
Cambrai
1
Catalonia
2
England
1
Eton
1
Ferrara
2
Florence
3
France
2
Germany
1
Germany (South)
3
Girona
1
Halberstadt
1
Italy
1
Italy (North)
1
Leipzig
2
London
1
Mantua
1
Mechelen
13
Modena
1
Munich
2
Netherlands
1
Padua
1
Paris
1
Rome
2
Segovia
1
Siena
1
Spain
1
Stirling
1
Toledo
1
Torgau
1
Verona
1
Vic
1
Wittenberg
1
Zaragoza
1
Production method
Manuscript
51
Physical type
chansonnier
1
choirbook
48
choirbook (single quire(s))
1
music treatise(s) containing polyphony
1
Material
paper
29
paper (with parchment)
2
parchment
18
parchment (with paper)
1
parchment and paper (mixed)
1
Format
upright
51
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
19
never
6
none visible
18
normally
5
occasionally
2
often
1
sometimes
4
Height of Staves
Colour of Staves
black
36
brown
17
dark brown
3
light brown
2
Ruling Medium
double rastrum
6
freehand
2
single rastrum
42
straightedge
10
triple rastrum
1
Number of staves
1
1
10
51
11
22
12
15
13
5
14
2
15
1
16
1
17
1
2
6
3
4
4
7
5
12
6
19
7
18
8
28
9
33
Disposition of Voice Parts
1-part single page
12
10-part opening
1
12-part opening
1
19-part opening
1
2-part consecutive
1
2-part opening
20
2-part single page
12
3-part consecutive
3
3-part opening
33
3-part score
1
3-part single page
13
4-part consecutive
3
4-part opening
48
4-part single page
9
5-part consecutive
2
5-part opening
31
5-part single page
3
6-part consecutive
1
6-part opening
15
7-part consecutive
1
7-part opening
1
8-part consecutive
1
8-part opening
2
9-part consecutive
1
9-part opening
1
n/a
3
Indentation for Initials
all staves indented
1
double
23
none
16
quadruple
3
single
39
triple
16
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
42
left below voice parts as part of grid
3
left between voice parts as part of grid
5
none
6
staves not ruled
2
staves not ruled on grid
20
variable space, not on grid
5
Space Provided for Separate Text
no separate text
43
not in dedicated space
8
provided, in dedicated space
7
Adhoc Adaptation
Indentation for initials filled in
4
made for complete additional staves
25
notation and staves extended into margin
51
notation extended into margin
22
other
4
partial additional staves
25
staveline added
10
staves extended into margin
3
Copying of Music
Colour of Notation
black
42
brown
13
dark brown
4
red
6
reddish brown
1
Type of Notation
German hufnagel
1
chant (square)
4
full mensural
4
strene notation
1
void mensural
50
Monophonic Notation
absent
42
present
13
Level of Calligraphy
fair
17
high
21
poor
5
very high
12
very poor
1
Non-verbal Performance Instructions
coronae
8
custodes
1
end symbol
10
none
3
numbers to indicate note lengths
1
pointers
4
repeat signs
12
signa congruentiae
23
signes-de-renvoi
34
space-filler
3
Copying of Text
Language
English
2
Flemish
4
French
19
German
4
Italian
2
Latin
51
Spanish
3
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
8
fully texted with one text
47
fully texted with two or more texts
13
fully texted with two texts
2
partially texted with one or two texts
3
partially texted with one text
11
partially texted with two texts
1
provided with multiple incipits
2
provided with one or two incipits
7
provided with single incipit
17
provided with two incipits
1
untexted
19
varies
2
Type of Script
cursive
11
cursive (Anglicana)
3
cursive (German)
3
cursive (Italianate)
1
cursive (bastarda)
20
cursive (humanistic)
1
cursive (italic)
3
display script
18
humanistic
1
hybrida
3
roman
1
textura
11
Level of Calligraphy
fair
19
high
18
poor
5
very high
14
very poor
1
Colour of Text
black
40
blue
1
brown
16
dark brown
4
red
27
reddish brown
1
Multiple Texts
no
29
yes
27
Decoration
Miniatures Frequency
never
10
none visible
1
rarely
16
Borders Frequency
always
1
never
10
occasionally
1
rarely
13
Borders Size
full and partial borders
1
full borders
3
partial borders: one- and two-sided
2
partial borders: one-sided
5
partial borders: three-sided
1
partial borders: two- and three-sided
1
partial borders: two-sided
2
Painted Initials Frequency
always
1
never
3
occasionally
2
often
3
rarely
15
sometimes
1
Painted Initials Type
decorated
7
decorated with grotesque heads
5
flourished
2
historiated
2
plain initials
2
zoomorphic initial
3
Penned Initials Frequency
always
5
never
1
normally
24
occasionally
10
often
2
rarely
14
sometimes
5
Penned Initials Type
calligraphic
27
calligraphic with decoration
8
calligraphic with grotesque heads
9
decorated
3
decorated with grotesque heads
4
flourished
5
historiated
1
littera notabilior
1
plain initials
8
Planned Initials Frequency
always
4
never
11
normally
6
occasionally
3
often
4
rarely
14
sometimes
1
Planned Initials Type
Other Decoration Frequency
always
2
never
15
occasionally
3
often
5
rarely
6
sometimes
3
Other Decoration Type
Voice-names
2
banner
3
decorated letters
1
decorative final long
5
end-symbol
4
littera notabilior
5
Filters applied
Clear all filters
Copy language name: Latin
Adhoc adaptation: notation and staves extended into margin
Number of staves: 10
Search results
1
London, Great Britain, British Library, MS Royal 11 E. xi, 1516, All folios
1