PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Cities
London
1
Spain
1
Production method
Manuscript
3
Physical type
choirbook
2
partbook (single)
1
Material
paper
3
Format
oblong
1
upright
2
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
2
Height of Staves
Colour of Staves
black
1
brown
3
Ruling Medium
freehand
1
single rastrum
1
straightedge
2
Number of staves
1
1
10
1
2
2
3
2
4
2
5
2
6
2
7
2
8
1
9
1
Disposition of Voice Parts
1-part single page
3
2-part opening
1
2-part score
1
2-part single page
1
3-part opening
2
3-part single page
1
4-part opening
2
4-part single page
1
Indentation for Initials
none
1
single
3
Extra Space Between Voice Parts
empty ruled staves on grid
3
staves not ruled on grid
2
Space Provided for Separate Text
not in dedicated space
2
provided, in dedicated space
2
Adhoc Adaptation
made for complete additional staves
1
notation and staves extended into margin
3
notation extended into margin
2
other
1
partial additional staves
2
staveline added
2
staves extended into margin
1
Copying of Music
Colour of Notation
blue
1
brown
2
dark brown
1
Type of Notation
chant (square)
1
full mensural
1
void mensural
3
Monophonic Notation
absent
2
present
1
Level of Calligraphy
fair
2
high
1
Non-verbal Performance Instructions
end symbol
1
repeat signs
2
signa congruentiae
2
signes-de-renvoi
3
Copying of Text
Language
Dutch
1
English
1
French
2
Italian
2
Latin
3
Spanish
1
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
2
partially texted with one or two texts
1
partially texted with one text
3
provided with one or two incipits
2
provided with single incipit
2
untexted
3
Type of Script
cursive
2
cursive (bastarda)
1
hybrida
1
Level of Calligraphy
fair
1
high
1
poor
1
Colour of Text
brown
1
dark brown
2
red
2
Multiple Texts
no
1
yes
2
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
normally
2
occasionally
1
rarely
1
Penned Initials Type
calligraphic
2
calligraphic with decoration
2
calligraphic with grotesque heads
3
Planned Initials Frequency
rarely
3
Planned Initials Type
Other Decoration Frequency
occasionally
2
Other Decoration Type
end-symbol
1
littera notabilior
1
Filters applied
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Non verbal performance instructions: signes-de-renvoi
Planned initials frequency: rarely
Disposition of voice part: 1-part single page
Presence absence of text: partially texted with one text
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1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1