PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Great Britain
2
Spain
1
Cities
Antwerp
1
Catalonia
1
England
1
Eton
1
Girona
1
Italy
1
Production method
Manuscript
4
Physical type
choirbook
4
Material
paper
1
parchment
2
parchment and paper (mixed)
1
Format
upright
4
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
none visible
1
normally
2
Height of Staves
Colour of Staves
black
2
brown
3
Ruling Medium
double rastrum
1
freehand
1
single rastrum
1
straightedge
2
Number of staves
1
1
10
4
11
3
12
2
13
1
14
1
15
1
16
1
17
1
6
1
7
1
8
2
9
2
Disposition of Voice Parts
1-part single page
1
2-part consecutive
1
2-part opening
1
2-part single page
1
3-part consecutive
1
3-part opening
3
3-part score
1
3-part single page
2
4-part consecutive
1
4-part opening
4
4-part single page
1
5-part consecutive
1
5-part opening
4
5-part single page
2
6-part consecutive
1
6-part opening
2
7-part consecutive
1
8-part consecutive
1
8-part opening
1
9-part consecutive
1
9-part opening
1
Indentation for Initials
all staves indented
1
double
1
none
1
single
4
Extra Space Between Voice Parts
empty ruled staves on grid
4
left below voice parts as part of grid
1
none
2
staves not ruled on grid
2
Space Provided for Separate Text
no separate text
1
not in dedicated space
3
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
2
notation and staves extended into margin
3
notation extended into margin
3
partial additional staves
3
staveline added
3
staves extended into margin
1
Copying of Music
Colour of Notation
black
4
dark brown
2
red
2
reddish brown
1
Type of Notation
chant (square)
1
full mensural
2
strene notation
1
void mensural
3
Monophonic Notation
absent
3
present
1
Level of Calligraphy
fair
1
high
2
very high
1
Non-verbal Performance Instructions
coronae
3
end symbol
4
pointers
2
repeat signs
3
signa congruentiae
3
signes-de-renvoi
2
Copying of Text
Language
English
1
Latin
4
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
4
fully texted with two or more texts
1
partially texted with one text
2
provided with one or two incipits
2
provided with single incipit
1
untexted
2
Type of Script
cursive
1
cursive (Anglicana)
1
cursive (bastarda)
1
textura
1
Level of Calligraphy
fair
2
high
1
very high
1
Colour of Text
black
2
brown
2
dark brown
1
red
3
reddish brown
1
Multiple Texts
no
2
yes
2
Decoration
Miniatures Frequency
always
1
never
2
Borders Frequency
never
2
Borders Size
Painted Initials Frequency
often
1
rarely
1
sometimes
2
Painted Initials Type
decorated
1
decorated with grotesque heads
1
flourished
1
historiated
2
plain initials
1
trompe l'oeil
1
zoomorphic initial
1
Penned Initials Frequency
normally
2
occasionally
2
often
1
rarely
2
sometimes
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
1
calligraphic with grotesque heads
2
decorated
1
decorated with grotesque heads
1
flourished
1
plain initials
4
Planned Initials Frequency
rarely
4
Planned Initials Type
Other Decoration Frequency
occasionally
1
often
1
rarely
2
Other Decoration Type
banner
1
decorative final long
2
end-symbol
2
littera notabilior
1
Filters applied
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Planned initials frequency: rarely
Penned initials type: plain initials
Number of staves: 10
Presence absence of text: fully texted with one text
Search results
1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1