PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Locations of Origin
Countries
Belgium
1
Italy
4
Cities
Bologna
1
Catalonia
1
Ferrara
2
Florence
1
Italy (North)
1
Mantua
1
Mechelen
1
Naples
1
Production method
Manuscript
6
Physical type
choirbook
5
music treatise(s) containing polyphony
1
Material
paper
4
paper (with parchment)
1
parchment
1
Format
oblong
1
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
1
none visible
3
normally
1
often
1
Height of Staves
Colour of Staves
black
3
brown
4
dark brown
2
Ruling Medium
single rastrum
6
Number of staves
10
4
11
1
2
1
5
1
6
4
7
1
8
2
9
3
Disposition of Voice Parts
1-part single page
3
2-part consecutive
1
2-part opening
5
2-part single page
6
3-part opening
6
3-part single page
5
4-part consecutive
1
4-part opening
6
4-part single page
5
5-part opening
5
6-part opening
1
Indentation for Initials
double
1
none
3
single
4
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
6
none
1
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
3
not in dedicated space
5
provided, in dedicated space
1
Adhoc Adaptation
made for complete additional staves
5
notation and staves extended into margin
6
notation extended into margin
4
other
1
partial additional staves
4
staveline added
3
Copying of Music
Colour of Notation
black
5
brown
2
dark brown
1
Type of Notation
chant (square)
3
full mensural
1
void mensural
6
Monophonic Notation
absent
1
present
6
Level of Calligraphy
fair
4
high
2
Non-verbal Performance Instructions
coronae
1
end symbol
3
pointers
2
repeat signs
2
signa congruentiae
1
signes-de-renvoi
5
space-filler
1
Copying of Text
Language
Dutch
1
Flemish
1
French
4
Italian
2
Latin
6
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
2
fully texted with one text
5
fully texted with two or more texts
2
fully texted with two texts
1
partially texted with one text
2
provided with multiple incipits
1
provided with one or two incipits
1
provided with single incipit
4
untexted
3
Type of Script
cursive
3
cursive (bastarda)
1
cursive (humanistic)
1
display script
1
textura
1
Level of Calligraphy
fair
4
high
2
Colour of Text
black
6
brown
3
dark brown
1
red
2
Multiple Texts
no
2
yes
5
Decoration
Miniatures Frequency
never
1
rarely
1
Borders Frequency
never
2
Borders Size
Painted Initials Frequency
rarely
1
Painted Initials Type
Penned Initials Frequency
always
1
normally
3
occasionally
2
rarely
2
Penned Initials Type
calligraphic
5
calligraphic with decoration
3
calligraphic with grotesque heads
4
decorated
1
flourished
2
littera notabilior
1
plain initials
1
Planned Initials Frequency
never
1
often
1
rarely
1
Planned Initials Type
Other Decoration Frequency
never
1
normally
1
rarely
2
sometimes
2
Other Decoration Type
decorative final long
3
embellished final barline
1
end-symbol
2
littera notabilior
1
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Disposition of voice part: 2-part single page
Colour of text: black
Monophonic notation: present
Adhoc adaptation: notation and staves extended into margin
Search results
1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1