PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
9
Cities
Belgium
1
Florence
5
France
1
Italy (North)
1
Mantua
2
Naples
2
Rome
1
Spain
1
Production method
Manuscript
11
Physical type
choirbook
10
music treatise(s) with appended polyphony
1
Material
paper
7
paper (with parchment)
1
parchment
3
Format
oblong
4
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
1
none visible
7
sometimes
2
Height of Staves
Colour of Staves
black
1
brown
8
dark brown
3
Ruling Medium
double rastrum
1
freehand
1
quadruple rastrum
1
single rastrum
6
straightedge
1
triple rastrum
4
Number of staves
10
1
2
1
3
1
4
2
5
1
6
8
7
3
8
3
9
1
Disposition of Voice Parts
1-part single page
3
2-part opening
5
2-part score
1
2-part single page
11
3-part opening
11
3-part score
1
3-part single page
5
4-part opening
11
4-part score
1
4-part single page
6
5-part opening
3
5-part single page
1
Indentation for Initials
none
6
single
5
Extra Space Between Voice Parts
empty ruled staves on grid
11
left between voice parts as part of grid
1
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
2
not in dedicated space
10
provided, in dedicated space
2
Adhoc Adaptation
made for complete additional staves
5
notation and staves extended into margin
11
notation extended into margin
8
other
1
partial additional staves
6
staveline added
4
staves extended into margin
4
Copying of Music
Colour of Notation
black
4
brown
9
dark brown
1
light brown
1
red
1
Type of Notation
chant (square)
1
void mensural
11
Monophonic Notation
absent
9
present
2
Level of Calligraphy
fair
10
high
1
Non-verbal Performance Instructions
end symbol
7
pointers
2
repeat signs
9
signa congruentiae
5
signes-de-renvoi
9
Copying of Text
Language
Dutch
4
French
9
German
1
Italian
11
Latin
9
Spanish
4
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
8
fully texted with one text
5
partially texted with one or two texts
5
partially texted with one text
7
provided with one or two incipits
4
provided with single incipit
9
provided with two incipits
1
untexted
10
Type of Script
cursive
3
cursive (bastarda)
2
cursive (humanistic)
2
cursive (italic)
1
display script
1
hybrida
2
rotonda
1
Level of Calligraphy
fair
9
high
1
poor
2
Colour of Text
black
4
blue
1
brown
8
dark brown
3
light brown
1
red
5
yellow
1
Multiple Texts
no
4
yes
8
Decoration
Miniatures Frequency
Borders Frequency
rarely
1
Borders Size
partial borders: one-sided
1
Painted Initials Frequency
often
1
Painted Initials Type
decorated
1
Penned Initials Frequency
normally
4
occasionally
1
often
2
rarely
2
Penned Initials Type
calligraphic
7
calligraphic with decoration
3
calligraphic with grotesque heads
4
flourished
2
littera notabilior
2
Planned Initials Frequency
normally
2
occasionally
1
rarely
3
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
normally
2
often
1
rarely
2
sometimes
1
Other Decoration Type
decorative final long
3
embellished final barline
1
end-symbol
2
littera notabilior
1
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Copy language name: Italian
Disposition of voice part: 2-part single page
Adhoc adaptation: notation and staves extended into margin
Search results
1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1