PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Germany
1
Great Britain
1
Italy
1
Silesia
3
Spain
1
Cities
Augsburg
1
Casale Monferrato
1
Catalonia
1
England
1
Flanders
1
Segovia
1
Toledo
1
Zagan
3
Production method
Manuscript
9
Physical type
chansonnier
1
choirbook
5
partbooks (complete set)
3
Material
paper
7
parchment
1
parchment and paper (mixed)
1
Format
oblong
4
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
1
none visible
5
normally
2
Height of Staves
Colour of Staves
black
2
brown
7
dark brown
1
Ruling Medium
double and single rastra
1
freehand
1
single rastrum
8
straightedge
1
Number of staves
10
4
11
4
12
1
4
3
5
1
6
2
7
1
8
2
9
4
Disposition of Voice Parts
1-part single page
5
2-part opening
3
2-part single page
3
3-part consecutive
1
3-part opening
5
3-part score
1
3-part single page
3
4-part opening
6
4-part single page
2
5-part opening
5
5-part single page
1
6-part opening
2
8-part opening
1
Indentation for Initials
double
2
none
4
quadruple
1
single
4
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
9
left below voice parts as part of grid
1
left between voice parts as part of grid
1
none
2
Space Provided for Separate Text
no separate text
3
not in dedicated space
7
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
9
notation and staves extended into margin
9
notation extended into margin
3
other
2
partial additional staves
7
staveline added
3
staves extended into margin
1
Copying of Music
Colour of Notation
black
6
brown
3
dark brown
2
red
1
Type of Notation
chant (square)
3
full mensural
2
strene notation
1
void mensural
9
Monophonic Notation
absent
6
present
4
Level of Calligraphy
fair
7
high
2
poor
1
Non-verbal Performance Instructions
coronae
2
end symbol
3
none
1
pointers
2
repeat signs
4
signa congruentiae
3
signes-de-renvoi
4
space-filler
2
Copying of Text
Language
Czech
3
Dutch
1
English
1
Flemish
1
French
6
German
4
Latin
9
Spanish
2
Presence or Absence of Text
fully texted with one or two texts
3
fully texted with one text
9
fully texted with two or more texts
3
fully texted with two texts
1
partially texted with one or two texts
1
partially texted with one text
4
partially texted with two or more texts
1
provided with one or two incipits
1
provided with single incipit
8
untexted
9
Type of Script
cursive
3
cursive (Anglicana)
1
cursive (German)
4
cursive (bastarda)
1
display script
1
hybrida
1
textura
1
various
1
Level of Calligraphy
fair
7
high
1
poor
2
Colour of Text
black
6
brown
4
dark brown
2
red
2
Multiple Texts
no
3
yes
8
Decoration
Miniatures Frequency
never
3
rarely
1
Borders Frequency
never
3
Borders Size
Painted Initials Frequency
occasionally
1
rarely
1
sometimes
1
Painted Initials Type
decorated
1
flourished
1
plain initials
1
zoomorphic initial
1
Penned Initials Frequency
always
1
normally
2
occasionally
3
rarely
4
sometimes
1
Penned Initials Type
calligraphic
5
calligraphic with decoration
2
calligraphic with grotesque heads
1
decorated
1
flourished
1
plain initials
9
Planned Initials Frequency
always
2
normally
2
often
2
rarely
1
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
1
often
1
rarely
2
sometimes
1
Other Decoration Type
decorative final long
3
end-symbol
2
littera notabilior
1
Filters applied
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Presence absence of text: untexted
Penned initials type: plain initials
Adhoc adaptation: made for complete additional staves
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1
Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
1