PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
2
Germany
2
Italy
2
Spain
2
Switzerland
1
Cities
Augsburg
1
Basel
1
Catalonia
2
Florence
2
Germany
1
Girona
1
Innsbruck
1
Italy
1
Munich
2
Vic
1
Vienna
1
Production method
Manuscript
12
Physical type
choirbook
9
choirbook (fragment)
1
choirbook (single quire(s))
1
partbook (single)
1
Material
paper
12
Format
oblong
3
upright
9
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
never
1
none visible
6
normally
1
sometimes
1
Height of Staves
Colour of Staves
black
5
brown
6
dark brown
2
Ruling Medium
double rastrum
3
freehand
1
single rastrum
8
straightedge
2
triple rastrum
1
Number of staves
10
5
11
3
12
5
13
2
2
3
3
4
4
4
5
3
6
4
7
3
8
2
9
1
Disposition of Voice Parts
1-part single page
6
2-part opening
4
2-part score
1
2-part single page
4
3-part opening
9
3-part score
1
3-part single page
3
4-part opening
10
4-part score
1
4-part single page
5
5-part opening
7
5-part single page
1
6-part opening
4
7-part opening
1
Indentation for Initials
double
2
none
5
single
10
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
7
left below voice parts as part of grid
1
left between voice parts as part of grid
1
none
1
variable space, not on grid
2
Space Provided for Separate Text
no separate text
7
not in dedicated space
3
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
3
none
1
notation and staves extended into margin
9
notation extended into margin
7
other
1
partial additional staves
8
staveline added
7
staves extended into margin
2
Copying of Music
Colour of Notation
black
6
brown
5
dark brown
3
reddish brown
1
Type of Notation
chant (square)
2
full mensural
1
void mensural
12
Monophonic Notation
absent
10
present
2
Level of Calligraphy
fair
6
high
5
poor
2
Non-verbal Performance Instructions
coronae
4
end symbol
5
none
1
pointers
2
repeat signs
6
signa congruentiae
8
signes-de-renvoi
7
space-filler
1
Copying of Text
Language
Dutch
1
French
2
German
2
Italian
3
Latin
10
Spanish
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
4
fully texted with one text
12
fully texted with two texts
1
partially texted with one text
5
provided with one or two incipits
3
provided with single incipit
7
untexted
8
Type of Script
cursive
3
cursive (German)
3
cursive (bastarda)
2
cursive (humanistic)
1
cursive (italic)
1
display script
1
hybrida
1
textura
2
Level of Calligraphy
fair
7
high
5
poor
1
Colour of Text
black
6
brown
7
dark brown
3
red
2
reddish brown
1
Multiple Texts
no
7
yes
5
Decoration
Miniatures Frequency
never
5
Borders Frequency
never
5
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
normally
3
occasionally
2
often
2
rarely
3
sometimes
1
Penned Initials Type
calligraphic
7
calligraphic with decoration
3
calligraphic with grotesque heads
3
decorated
1
plain initials
2
Planned Initials Frequency
normally
3
occasionally
2
often
1
rarely
4
sometimes
1
Planned Initials Type
Other Decoration Frequency
always
1
normally
3
occasionally
1
often
1
rarely
5
sometimes
4
Other Decoration Type
decorative final long
2
end-symbol
2
littera notabilior
12
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Locations name: England
Adhoc adaptation: staves extended into margin
Painted initials type: plain initials
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1
Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F VI 26 d, First quarter of the 16th century, All folios
1