PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Spain
1
Cities
Italy
1
Zaragoza
1
Production method
Manuscript
2
Physical type
choirbook
1
partbooks (incomplete set)
1
Material
paper
2
Format
oblong
1
upright
1
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
none visible
2
Height of Staves
Colour of Staves
black
1
brown
1
Ruling Medium
double rastrum
1
single rastrum
1
Number of staves
10
1
4
1
Disposition of Voice Parts
1-part single page
1
4-part opening
1
5-part opening
1
Indentation for Initials
double
1
none
2
single
1
Extra Space Between Voice Parts
empty ruled staves on grid
2
none
1
Space Provided for Separate Text
no separate text
2
Adhoc Adaptation
notation and staves extended into margin
1
notation extended into margin
2
staves extended into margin
2
Copying of Music
Colour of Notation
black
1
dark brown
1
Type of Notation
chant (square)
1
void mensural
2
Monophonic Notation
absent
2
present
1
Level of Calligraphy
high
2
Non-verbal Performance Instructions
coronae
1
end symbol
1
repeat signs
1
signes-de-renvoi
1
Copying of Text
Language
French
1
Latin
1
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
1
untexted
1
Type of Script
cursive (humanistic)
1
humanistic
1
Level of Calligraphy
fair
1
high
1
Colour of Text
black
1
brown
1
Multiple Texts
no
1
yes
1
Decoration
Miniatures Frequency
never
1
Borders Frequency
never
1
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
always
1
normally
1
Penned Initials Type
calligraphic with decoration
1
decorated
1
decorated with grotesque heads
1
Planned Initials Frequency
never
1
Planned Initials Type
Other Decoration Frequency
always
1
never
1
occasionally
1
Other Decoration Type
banner
1
decorative final long
1
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Type of notation: void mensural
Separate text: no separate text
Adhoc adaptation: staves extended into margin
Adhoc adaptation: notation extended into margin
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2
Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Cantus partbook, all folios
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1