PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
France
1
Italy
15
Cities
Belgium
1
Florence
10
France
3
Italy
1
Italy (North)
2
Mantua
1
Milan
1
Naples
2
Paris
1
Pisa
1
Rome
2
Spain
1
Switzerland
1
Production method
Manuscript
21
Physical type
choirbook
13
music treatise(s) with appended monophony and polyphony
1
music treatise(s) with appended polyphony
1
partbook (single)
1
partbooks (complete set)
4
partbooks (incomplete set)
1
Material
paper
14
paper (with parchment)
2
parchment
4
parchment (with paper)
1
Format
oblong
11
upright
10
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
3
none visible
14
normally
1
rarely
1
sometimes
1
Height of Staves
Colour of Staves
black
3
brown
10
dark brown
8
gold
1
light brown
1
reddish brown
1
Ruling Medium
double rastrum
3
freehand
1
quadruple rastrum
1
single rastrum
9
straightedge
2
triple rastrum
9
Number of staves
1
1
10
3
2
2
3
5
4
2
5
3
6
9
7
4
8
4
9
2
Disposition of Voice Parts
1-part single page
11
2-part opening
3
2-part single page
6
3-part consecutive
1
3-part opening
14
3-part single page
7
4-part consecutive
1
4-part opening
13
4-part single page
7
5-part opening
4
5-part single page
1
Indentation for Initials
none
16
single
7
Extra Space Between Voice Parts
empty ruled staves on grid
15
none
6
staves not ruled on grid
2
Space Provided for Separate Text
no separate text
10
not in dedicated space
12
provided, in dedicated space
3
Adhoc Adaptation
made for complete additional staves
3
notation and staves extended into margin
16
notation extended into margin
9
other
1
partial additional staves
6
staveline added
5
staves extended into margin
3
Copying of Music
Colour of Notation
black
6
brown
16
dark brown
2
gold
1
light brown
1
Type of Notation
chant (square)
1
full mensural
3
void mensural
20
Monophonic Notation
absent
20
present
1
Level of Calligraphy
fair
12
high
6
very high
3
Non-verbal Performance Instructions
end symbol
3
pointers
3
repeat signs
16
signa congruentiae
7
signes-de-renvoi
10
Copying of Text
Language
Dutch
7
Flemish
1
French
18
German
1
Italian
21
Latin
20
Spanish
5
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
16
fully texted with one text
12
fully texted with two texts
2
partially texted with one or two texts
4
partially texted with one text
8
provided with one or two incipits
5
provided with single incipit
17
provided with two incipits
2
untexted
14
Type of Script
cursive
5
cursive (bastarda)
4
cursive (humanistic)
6
cursive (italic)
5
display script
2
hybrida
3
roman
1
Level of Calligraphy
fair
13
high
9
poor
2
very high
1
Colour of Text
black
5
blue
2
brown
15
dark brown
4
gold
1
grey
1
red
4
yellow
1
Multiple Texts
no
8
yes
16
Decoration
Miniatures Frequency
rarely
4
Borders Frequency
always
1
rarely
2
Borders Size
full borders
2
partial borders: two- and three-sided
1
Painted Initials Frequency
always
1
normally
2
occasionally
1
rarely
1
sometimes
1
Painted Initials Type
decorated
4
historiated
1
Penned Initials Frequency
always
2
normally
9
occasionally
2
often
3
Penned Initials Type
calligraphic
6
calligraphic with decoration
5
calligraphic with grotesque heads
6
decorated
1
flourished
2
plain initials
5
Planned Initials Frequency
always
1
normally
2
occasionally
1
rarely
5
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
normally
2
occasionally
2
often
1
sometimes
2
Other Decoration Type
decorated letters
1
decorative final long
3
end-symbol
2
littera notabilior
1
signa congruentiae
1
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Copy language name: Italian
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21
Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
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