PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
21
Cities
Florence
18
Italy
1
Italy (North)
2
Mantua
1
Milan
1
Pisa
1
Production method
Manuscript
21
Physical type
choirbook
12
music treatise(s) with appended monophony and polyphony
1
partbook (single)
2
partbooks (complete set)
5
tablebook
1
Material
paper
12
paper (with parchment)
3
parchment
5
parchment (with paper)
1
Format
bound upright but prepared oblong
1
oblong
15
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
2
none visible
15
normally
1
rarely
1
sometimes
1
Height of Staves
Colour of Staves
black
2
brown
10
dark brown
8
gold
1
reddish brown
2
Ruling Medium
double rastrum
7
freehand
2
quadruple rastrum
2
single rastrum
5
straightedge
1
triple rastrum
14
Number of staves
1
1
10
1
2
1
3
6
4
6
5
1
6
10
7
1
8
1
9
1
Disposition of Voice Parts
1-part single page
10
2-part opening
3
2-part score
1
2-part single page
7
3-part consecutive
1
3-part opening
13
3-part score
1
3-part single page
4
4-part consecutive
1
4-part opening
13
4-part score
1
4-part single page
5
5-part opening
3
Indentation for Initials
double
1
none
17
single
6
Extra Space Between Voice Parts
empty ruled staves on grid
13
left between voice parts as part of grid
2
none
7
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
9
not in dedicated space
12
provided, in dedicated space
4
Adhoc Adaptation
made for complete additional staves
3
notation and staves extended into margin
16
notation extended into margin
11
partial additional staves
8
staveline added
9
staves extended into margin
3
Copying of Music
Colour of Notation
black
7
blue
1
brown
13
dark brown
3
gold
2
light brown
2
red
1
Type of Notation
chant (square)
1
full mensural
3
void mensural
20
Monophonic Notation
absent
20
present
1
Level of Calligraphy
fair
14
high
5
very high
2
Non-verbal Performance Instructions
coronae
1
end symbol
6
pointers
3
repeat signs
16
signa congruentiae
7
signes-de-renvoi
8
space-filler
1
Copying of Text
Language
Dutch
5
Flemish
1
French
13
Italian
21
Latin
15
Spanish
4
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
15
fully texted with one text
11
fully texted with two texts
1
partially texted with one or two texts
3
partially texted with one text
10
provided with one or two incipits
2
provided with single incipit
17
provided with two incipits
2
untexted
15
Type of Script
cursive
4
cursive (bastarda)
2
cursive (humanistic)
6
cursive (italic)
9
roman
1
rotonda
1
Level of Calligraphy
fair
13
high
5
poor
3
very high
1
Colour of Text
black
4
blue
1
brown
15
dark brown
2
gold
1
grey
1
light brown
1
red
3
Multiple Texts
no
8
yes
15
Decoration
Miniatures Frequency
rarely
2
Borders Frequency
rarely
2
Borders Size
full borders
1
partial borders: one-sided
1
Painted Initials Frequency
normally
1
often
1
rarely
1
sometimes
1
Painted Initials Type
decorated
3
historiated
1
Penned Initials Frequency
always
2
normally
8
occasionally
1
often
3
rarely
3
Penned Initials Type
calligraphic
7
calligraphic with decoration
3
calligraphic with grotesque heads
3
decorated
2
flourished
2
littera notabilior
1
plain initials
5
Planned Initials Frequency
always
1
normally
5
occasionally
1
rarely
2
sometimes
3
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
normally
1
occasionally
2
rarely
3
sometimes
1
Other Decoration Type
decorative final long
4
end-symbol
1
littera notabilior
2
signa congruentiae
1
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Copy language name: Italian
Search results
21
Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2441, 1510-1515, All folios
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