PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
17
Cities
Florence
13
France
1
Italy
4
Italy (North)
1
Mantua
1
Milan
1
Pisa
1
Rome
1
Production method
Manuscript
21
Physical type
choirbook
10
music treatise(s) with appended monophony and polyphony
1
partbook (single)
2
partbooks (complete set)
4
partbooks (incomplete set)
3
tablebook
1
Material
paper
13
paper (with parchment)
2
parchment
6
Format
bound upright but prepared oblong
1
oblong
14
upright
6
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
17
normally
1
rarely
1
sometimes
2
Height of Staves
Colour of Staves
black
1
brown
14
dark brown
7
gold
1
light brown
1
Ruling Medium
double rastrum
9
freehand
2
quadruple rastrum
2
single rastrum
6
straightedge
1
triple rastrum
11
Number of staves
1
1
10
3
2
1
3
6
4
7
5
1
6
7
7
3
8
2
9
2
Disposition of Voice Parts
1-part single page
11
2-part opening
4
2-part score
1
2-part single page
5
3-part consecutive
1
3-part opening
11
3-part score
1
3-part single page
4
4-part consecutive
1
4-part opening
11
4-part score
1
4-part single page
5
5-part opening
4
Indentation for Initials
double
1
none
14
single
8
Extra Space Between Voice Parts
empty ruled staves on grid
15
left between voice parts as part of grid
2
none
6
Space Provided for Separate Text
no separate text
10
not in dedicated space
11
provided, in dedicated space
4
Adhoc Adaptation
made for complete additional staves
3
notation and staves extended into margin
15
notation extended into margin
11
partial additional staves
7
staveline added
9
staves extended into margin
4
Copying of Music
Colour of Notation
black
4
brown
14
dark brown
5
gold
1
light brown
2
red
1
Type of Notation
chant (square)
1
full mensural
4
void mensural
19
Monophonic Notation
absent
20
present
1
Level of Calligraphy
fair
12
high
8
very high
1
Non-verbal Performance Instructions
coronae
1
end symbol
3
pointers
2
repeat signs
15
signa congruentiae
10
signes-de-renvoi
6
Copying of Text
Language
Dutch
4
French
15
Italian
15
Latin
13
Spanish
3
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
21
fully texted with one text
8
fully texted with two texts
1
partially texted with one or two texts
4
partially texted with one text
11
partially texted with two texts
2
provided with one or two incipits
4
provided with single incipit
14
provided with two incipits
3
untexted
12
Type of Script
antiqua
1
cursive
2
cursive (bastarda)
4
cursive (humanistic)
7
cursive (italic)
8
hybrida
1
roman
1
textura
1
Level of Calligraphy
fair
11
high
8
poor
2
very high
2
Colour of Text
black
4
brown
16
dark brown
2
gold
1
light brown
1
red
1
Multiple Texts
no
5
yes
19
Decoration
Miniatures Frequency
rarely
2
Borders Frequency
rarely
4
Borders Size
full borders
1
partial borders: one-sided
2
partial borders: three-sided
1
partial borders: two-sided
1
Painted Initials Frequency
normally
2
often
1
rarely
3
sometimes
1
Painted Initials Type
decorated
5
historiated
1
zoomorphic initial
1
Penned Initials Frequency
always
3
normally
9
often
2
rarely
2
Penned Initials Type
calligraphic
5
calligraphic with decoration
5
calligraphic with grotesque heads
5
decorated
1
decorated with grotesque heads
1
flourished
1
littera notabilior
1
plain initials
5
Planned Initials Frequency
normally
5
rarely
1
sometimes
2
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
normally
1
occasionally
1
rarely
6
sometimes
1
Other Decoration Type
decorative final long
6
end-symbol
1
littera notabilior
2
ornament
1
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Presence absence of text: fully texted with one or two texts
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21
Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2441, 1510-1515, All folios
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