PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
14
Silesia
3
Cities
Florence
9
Fossombrone
2
Glarus, Switzerland
1
Italy (North)
1
London
1
Milan
1
Padua
1
Venice
1
Zagan
3
Production method
Manuscript
17
Printed work
5
Physical type
choirbook
6
partbook (single)
2
partbooks (complete set)
11
partbooks (incomplete set)
1
single leaf
1
Material
paper
17
paper (with parchment)
1
parchment
4
Format
oblong
22
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
n/a
6
never
2
none visible
13
Height of Staves
Colour of Staves
black
6
brown
10
dark brown
4
gold
1
reddish brown
2
Ruling Medium
double rastrum
3
freehand
1
printed staves
1
single rastrum
5
straightedge
3
triple rastrum
8
Number of staves
1
1
14
1
2
1
3
5
4
8
5
6
6
11
Disposition of Voice Parts
1-part single page
17
2-part opening
2
2-part score
2
2-part single page
3
3-part opening
6
3-part score
1
3-part single page
3
4-part opening
7
4-part score
1
4-part single page
1
5-part opening
1
Indentation for Initials
double
5
none
11
single
11
Extra Space Between Voice Parts
empty ruled staves on grid
12
left between voice parts as part of grid
1
none
5
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
11
not in dedicated space
10
provided, in dedicated space
4
Adhoc Adaptation
made for complete additional staves
4
notation and staves extended into margin
13
notation extended into margin
3
partial additional staves
9
staveline added
6
staves extended into margin
1
Copying of Music
Colour of Notation
black
12
blue
1
brown
9
dark brown
2
gold
1
light brown
1
Type of Notation
chant (square)
1
full mensural
2
void mensural
21
Monophonic Notation
absent
21
present
1
Level of Calligraphy
fair
12
high
3
n/a
5
very high
2
Non-verbal Performance Instructions
coronae
5
end symbol
2
pointers
2
repeat signs
8
signa congruentiae
8
signes-de-renvoi
3
Copying of Text
Language
Czech
3
Dutch
1
English
1
Flemish
1
French
12
German
4
Italian
12
Latin
18
Spanish
3
Presence or Absence of Text
fully texted with one or two texts
9
fully texted with one text
15
fully texted with two or more texts
1
partially texted with one or two texts
1
partially texted with one text
7
partially texted with two or more texts
1
provided with one or two incipits
3
provided with single incipit
14
provided with two incipits
1
untexted
11
Type of Script
cursive
2
cursive (German)
4
cursive (bastarda)
2
cursive (humanistic)
3
cursive (italic)
7
roman
2
rotonda
3
Level of Calligraphy
fair
12
high
4
n/a
5
poor
1
Colour of Text
black
12
brown
9
dark brown
2
light brown
1
red
1
Multiple Texts
no
11
yes
11
Decoration
Miniatures Frequency
always
1
never
1
often
1
rarely
1
Borders Frequency
never
1
rarely
1
Borders Size
partial borders: one-sided
1
Painted Initials Frequency
normally
1
often
1
rarely
1
Painted Initials Type
decorated
2
historiated
1
Penned Initials Frequency
always
5
normally
6
often
1
rarely
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
3
calligraphic with grotesque heads
2
flourished
1
plain initials
8
Planned Initials Frequency
always
1
normally
1
rarely
2
sometimes
1
Planned Initials Type
Other Decoration Frequency
normally
1
occasionally
2
rarely
1
sometimes
1
Other Decoration Type
decorative final long
2
end-symbol
2
littera notabilior
1
signa congruentiae
1
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Physical format: oblong
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22
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167, c. 1515-c. 1540, MS Magliabechi XIX.166 (Tenor), All folios
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167, c. 1515-c. 1540, MS Magliabechi XIX.167 (Cantus), All folios
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