PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Germany
3
Italy
4
Spain
1
Switzerland
8
Cities
Augsburg
1
Austria
1
Basel
8
Florence
3
France
1
Germany
3
Germany (South)
1
Halberstadt
1
Italy
1
Leipzig
1
Naples
1
Rheinfelden
2
Rome
1
Seville
1
Spain
2
Torgau
1
Production method
Manuscript
21
Physical type
choirbook
10
choirbook (single quire(s))
5
partbook (single)
2
partbooks (complete set)
2
partbooks (incomplete set)
1
tablebook
1
Material
paper
19
parchment
2
Format
bound upright but prepared oblong
1
oblong
4
upright
16
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
8
none visible
12
normally
1
often
1
Height of Staves
Colour of Staves
black
6
brown
12
dark brown
2
light brown
2
red
1
reddish brown
1
Ruling Medium
double rastrum
3
freehand
4
single rastrum
15
straightedge
4
triple rastrum
2
Number of staves
10
5
11
2
12
6
13
1
2
2
3
5
4
5
5
3
6
11
7
6
8
7
9
4
Disposition of Voice Parts
1-part single page
11
2-part opening
4
2-part single page
6
3-part consecutive
1
3-part opening
13
3-part single page
7
4-part opening
16
4-part single page
9
5-part opening
3
n/a
1
Indentation for Initials
double
1
none
12
single
13
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
12
left below voice parts as part of grid
5
left between voice parts as part of grid
6
none
8
staves not ruled on grid
1
variable space, not on grid
2
Space Provided for Separate Text
no separate text
12
not in dedicated space
6
provided, in dedicated space
7
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
7
none
2
notation and staves extended into margin
12
notation extended into margin
8
other
4
partial additional staves
11
staveline added
4
staves extended into margin
2
Copying of Music
Colour of Notation
black
11
blue
1
brown
12
dark brown
1
gold
1
light brown
2
Type of Notation
chant (square)
1
void mensural
21
Monophonic Notation
absent
20
present
2
Level of Calligraphy
fair
9
high
2
poor
13
very poor
1
Non-verbal Performance Instructions
coronae
1
end symbol
2
none
5
pointers
3
repeat signs
8
signa congruentiae
8
signes-de-renvoi
9
space-filler
1
Copying of Text
Language
Dutch
2
French
9
German
5
Italian
6
Latin
15
Spanish
4
Presence or Absence of Text
fully texted with one or two texts
5
fully texted with one text
16
fully texted with two texts
1
partially texted with one or two texts
3
partially texted with one text
14
provided with multiple incipits
1
provided with one or two incipits
7
provided with single incipit
15
provided with two incipits
1
untexted
15
varies
1
Type of Script
cursive
7
cursive (German)
9
cursive (bastarda)
1
cursive (humanistic)
3
cursive (italic)
3
hybrida
2
Level of Calligraphy
fair
4
high
1
poor
21
very poor
1
Colour of Text
black
8
brown
14
dark brown
3
light brown
2
red
1
Multiple Texts
no
17
yes
7
Decoration
Miniatures Frequency
never
4
rarely
2
Borders Frequency
always
1
never
4
rarely
1
Borders Size
partial borders: one- and two-sided
1
partial borders: one-sided
1
Painted Initials Frequency
always
1
never
1
often
1
Painted Initials Type
decorated
2
Penned Initials Frequency
always
2
never
1
normally
5
occasionally
3
often
3
rarely
3
sometimes
3
Penned Initials Type
calligraphic
10
calligraphic with decoration
3
calligraphic with grotesque heads
2
decorated
1
flourished
2
littera notabilior
3
plain initials
2
Planned Initials Frequency
always
2
normally
3
occasionally
3
often
3
rarely
2
sometimes
3
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
normally
1
occasionally
2
rarely
1
sometimes
3
Other Decoration Type
decorated letters
2
decorative final long
1
end-symbol
1
littera notabilior
1
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Level of calligraphy text: poor
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21
Bologna, Italy, Museo internazionale e biblioteca della musica di Bologna, MS Q 16 (olim 109), 1487-1510, All folios
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