PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
1
Belgium
14
Czech Republic
1
Germany
1
Great Britain
1
Italy
1
Silesia
1
Cities
Brussels
10
England
1
Ferrara
1
Florence
1
Hradec Králové
1
Mechelen
14
Munich
1
Vienna
1
Zagan
1
Production method
Manuscript
21
Physical type
chant book with polyphony
1
choirbook
18
non-music manuscript with interpolated polyphony
1
partbooks (complete set)
1
Material
paper
6
paper (with parchment)
1
parchment
13
parchment and paper (mixed)
1
Format
oblong
1
upright
20
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
11
never
1
none visible
3
normally
1
occasionally
2
often
4
Height of Staves
Colour of Staves
black
17
brown
4
red
2
Ruling Medium
freehand
2
single rastrum
19
straightedge
2
Number of staves
1
1
10
18
11
8
12
3
13
1
2
4
3
3
4
5
5
6
6
12
7
12
8
15
9
16
Disposition of Voice Parts
1-part single page
9
2-part consecutive
2
2-part opening
13
2-part single page
8
3-part consecutive
2
3-part opening
15
3-part score
1
3-part single page
3
4-part opening
19
4-part single page
4
5-part consecutive
1
5-part opening
13
5-part single page
2
6-part opening
6
7-part opening
1
Indentation for Initials
double
15
none
3
quadruple
2
single
18
triple
12
Extra Space Between Voice Parts
empty ruled staves on grid
19
left below voice parts as part of grid
1
none
3
staves not ruled
3
staves not ruled on grid
11
variable space, not on grid
5
Space Provided for Separate Text
no separate text
15
not in dedicated space
4
provided, in dedicated space
6
Adhoc Adaptation
made for complete additional staves
9
notation and staves extended into margin
14
notation extended into margin
6
partial additional staves
10
staveline added
2
staves extended into margin
2
Copying of Music
Colour of Notation
black
21
dark brown
1
red
4
Type of Notation
chant (Gothic)
1
chant (square)
3
full mensural
3
strene notation
1
void mensural
20
Monophonic Notation
absent
14
present
8
Level of Calligraphy
fair
3
high
6
very high
12
Non-verbal Performance Instructions
coronae
2
custodes
1
end symbol
2
pointers
1
repeat signs
3
signa congruentiae
14
signes-de-renvoi
16
space-filler
2
Copying of Text
Language
Czech
2
English
1
Flemish
4
French
9
German
1
Latin
21
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
21
fully texted with two or more texts
21
fully texted with two texts
1
partially texted with one text
1
provided with multiple incipits
1
provided with one or two incipits
1
provided with single incipit
5
untexted
6
Type of Script
cursive (Anglicana)
1
cursive (German)
2
cursive (bastarda)
15
display script
15
textura
4
Level of Calligraphy
fair
3
high
6
very high
13
Colour of Text
black
20
blue
2
dark brown
1
gold
1
red
18
Multiple Texts
no
2
yes
21
Decoration
Miniatures Frequency
never
2
rarely
12
sometimes
1
Borders Frequency
never
4
occasionally
1
rarely
9
sometimes
1
Borders Size
full and partial borders
2
full borders
3
partial borders: one- and two-sided
2
partial borders: one-sided
3
Painted Initials Frequency
always
1
never
2
often
1
rarely
12
sometimes
1
Painted Initials Type
calligraphic with decoration
1
decorated
1
decorated with grotesque heads
2
flourished
2
plain initials
2
Penned Initials Frequency
always
1
normally
14
occasionally
5
often
2
rarely
7
sometimes
1
Penned Initials Type
calligraphic
7
calligraphic with decoration
1
calligraphic with grotesque heads
2
decorated with grotesque heads
2
flourished
3
littera notabilior
1
plain initials
2
Planned Initials Frequency
never
10
often
1
rarely
6
Planned Initials Type
Other Decoration Frequency
never
11
occasionally
1
often
1
rarely
3
Other Decoration Type
decorative final long
2
end-symbol
2
littera notabilior
1
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Presence absence of text: fully texted with two or more texts
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21
Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 228, c. 1515, with additions around 1519, All folios
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