PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
5
England
1
France
4
Germany
3
Great Britain
6
Italy
20
Netherlands
1
Spain
6
Switzerland
1
Cities
Basel
1
Bologna
1
Bourges
1
Brussels
3
Cambrai
1
Catalonia
1
Ferrara
1
Florence
8
France
6
Germany (South)
2
Italy
3
Italy (North)
1
London
6
Maastricht
1
Mechelen
5
Milan
1
Modena
3
Naples
3
Netherlands
1
Northamptonshire
1
Padua
1
Paris
1
Pordenone
1
Rome
3
Savoy, France
1
Segovia
1
Seville
1
Tarazona
3
Toledo
1
Troyes
1
Venice
1
Wittenberg
1
Zaragoza
1
Zwickau
1
Production method
Manuscript
62
Physical type
chansonnier
1
choirbook
41
choirbook (single quire(s))
1
composite manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
2
non-music manuscript with interpolated polyphony
1
partbook (fragment)
1
partbook (single)
1
partbooks (complete set)
5
partbooks (incomplete set)
6
polyphonic music manuscript appended to polyphonic music print
1
printed book with interpolated polyphony
1
Material
paper
40
paper (with parchment)
4
parchment
16
parchment (with paper)
1
parchment and paper (mixed)
1
Format
oblong
16
upright
46
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
13
never
16
none visible
28
normally
5
often
2
rarely
2
sometimes
2
Height of Staves
Colour of Staves
black
25
brown
27
dark brown
8
gold
2
light brown
3
red
2
red-brown
1
reddish brown
1
Ruling Medium
double rastrum
8
freehand
5
printed staves
4
quadruple rastrum
1
single rastrum
46
straightedge
4
triple rastrum
6
Number of staves
1
3
10
20
11
10
12
7
13
2
2
4
3
6
4
11
5
12
6
19
7
16
8
20
9
18
Disposition of Voice Parts
1-part single page
24
2-part consecutive
3
2-part opening
18
2-part score
2
2-part single page
14
3-part consecutive
2
3-part opening
40
3-part score
1
3-part single page
14
4-part consecutive
2
4-part opening
47
4-part score
1
4-part single page
16
5-part opening
20
6-part opening
9
7-part opening
1
8-part opening
1
n/a
1
Indentation for Initials
double
14
none
36
quintuple
1
single
33
triple
5
Extra Space Between Voice Parts
empty ruled staves on grid
62
left between voice parts as part of grid
2
none
4
staves not ruled on grid
9
variable space, not on grid
2
Space Provided for Separate Text
no separate text
42
not in dedicated space
19
provided, in dedicated space
11
Adhoc Adaptation
Indentation for initials filled in
4
made for complete additional staves
24
none
1
notation and staves extended into margin
40
notation extended into margin
25
other
1
partial additional staves
23
staveline added
16
staves extended into margin
6
Copying of Music
Colour of Notation
black
31
blue
1
brown
23
dark brown
10
gold
2
light brown
2
red
2
red-brown
1
Type of Notation
chant (square)
6
full mensural
3
void mensural
60
Monophonic Notation
absent
50
present
16
Level of Calligraphy
fair
28
high
23
poor
5
very high
9
Non-verbal Performance Instructions
coronae
4
cue notes
1
end symbol
12
none
1
pointers
6
repeat signs
17
signa congruentiae
25
signes-de-renvoi
31
space-filler
2
Copying of Text
Language
Dutch
5
English
2
Flemish
3
French
27
German
2
Italian
14
Latin
53
Spanish
10
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
20
fully texted with one text
50
fully texted with two or more texts
3
fully texted with two texts
5
partially texted with one or two texts
4
partially texted with one text
19
partially texted with two texts
1
provided with multiple incipits
1
provided with one or two incipits
7
provided with single incipit
27
provided with two incipits
2
untexted
29
Type of Script
cursive
14
cursive (Anglicana)
2
cursive (German)
2
cursive (bastarda)
14
cursive (humanistic)
11
cursive (italic)
5
display script
8
humanistic
1
hybrida
6
roman
2
rotonda
1
textura
8
Level of Calligraphy
fair
29
high
27
poor
7
very high
7
Colour of Text
black
31
blue
1
brown
26
dark brown
10
gold
1
light brown
2
red
13
red-brown
1
yellow
1
Multiple Texts
no
36
yes
29
Decoration
Miniatures Frequency
never
5
often
1
rarely
11
Borders Frequency
always
1
never
6
often
1
rarely
13
Borders Size
full and partial borders
1
full borders
6
partial borders: one-sided
4
partial borders: three-sided
2
partial borders: two- and three-sided
1
partial borders: two-sided
4
Painted Initials Frequency
always
2
never
1
normally
3
occasionally
2
often
4
rarely
9
sometimes
2
Painted Initials Type
decorated
13
decorated with grotesque heads
2
flourished
3
historiated
1
plain initials
1
zoomorphic initial
3
Penned Initials Frequency
always
10
never
1
normally
18
occasionally
4
often
9
rarely
9
sometimes
9
Penned Initials Type
calligraphic
29
calligraphic with decoration
18
calligraphic with grotesque heads
15
decorated
7
decorated with grotesque heads
2
flourished
8
historiated
1
littera notabilior
3
plain initials
9
Planned Initials Frequency
never
4
normally
3
occasionally
6
often
7
rarely
9
sometimes
5
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
2
never
6
normally
3
occasionally
5
often
7
rarely
6
sometimes
4
Other Decoration Type
Voice-names
1
banner
3
decorated letters
2
decorative final long
9
embellished final barline
3
end-symbol
6
littera notabilior
4
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Extra space: empty ruled staves on grid
Search results
62
Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
Paris, France, Bibliothèque Nationale, fonds français MS 1597 (olim Colbert 1625), c. 1500, All folios
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