PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
France
1
Italy
21
Cities
Bruges
1
Florence
14
France
2
Italy (North)
2
Mantua
1
Milan
1
Naples
2
Padua
1
Paris
1
Rome
1
Siena
1
Venice
1
Production method
Manuscript
23
Printed work
3
Physical type
choirbook
18
partbook (single)
1
partbooks (complete set)
5
printed treatise with added polyphony
1
tablebook
1
Material
paper
16
paper (with parchment)
3
parchment
6
parchment (with paper)
1
Format
bound upright but prepared oblong
1
oblong
15
upright
10
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
n/a
3
never
3
none visible
14
normally
2
rarely
1
sometimes
1
Height of Staves
Colour of Staves
black
5
brown
12
dark brown
6
gold
2
light brown
1
reddish brown
2
Ruling Medium
double rastrum
4
freehand
2
quadruple rastrum
2
single rastrum
11
straightedge
1
triple rastrum
11
Number of staves
1
1
10
1
2
1
3
5
4
6
5
3
6
8
7
3
8
4
9
1
Disposition of Voice Parts
1-part single page
11
2-part opening
4
2-part score
1
2-part single page
4
3-part consecutive
1
3-part opening
15
3-part score
2
3-part single page
6
4-part consecutive
1
4-part opening
17
4-part score
1
4-part single page
9
5-part opening
4
Indentation for Initials
double
1
none
17
single
12
Extra Space Between Voice Parts
empty ruled staves on grid
17
left between voice parts as part of grid
1
none
9
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
9
not in dedicated space
12
provided, in dedicated space
8
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
2
notation and staves extended into margin
17
notation extended into margin
12
partial additional staves
6
staveline added
8
staves extended into margin
3
Copying of Music
Colour of Notation
black
11
brown
15
dark brown
1
gold
2
red
1
Type of Notation
full mensural
2
void mensural
25
Monophonic Notation
absent
26
Level of Calligraphy
fair
10
high
9
n/a
3
very high
4
Non-verbal Performance Instructions
coronae
4
end symbol
4
pointers
4
repeat signs
17
signa congruentiae
13
signes-de-renvoi
9
Copying of Text
Language
Dutch
5
Flemish
1
French
17
Italian
26
Latin
18
Spanish
5
Presence or Absence of Text
fully texted with one or two texts
17
fully texted with one text
13
fully texted with two texts
2
partially texted with one or two texts
4
partially texted with one text
10
provided with one or two incipits
4
provided with single incipit
20
provided with two incipits
3
untexted
15
Type of Script
Italic
1
cursive
6
cursive (bastarda)
4
cursive (humanistic)
7
cursive (italic)
7
hybrida
1
roman
2
rotonda
1
Level of Calligraphy
fair
13
high
9
n/a
3
poor
2
very high
1
Colour of Text
black
9
blue
2
brown
15
dark brown
2
gold
1
grey
1
red
3
Multiple Texts
no
11
yes
17
Decoration
Miniatures Frequency
often
1
rarely
4
Borders Frequency
always
1
rarely
2
Borders Size
full borders
2
partial borders: two- and three-sided
1
Painted Initials Frequency
always
1
normally
2
occasionally
1
rarely
1
sometimes
1
Painted Initials Type
decorated
4
historiated
1
Penned Initials Frequency
always
4
normally
8
occasionally
2
often
2
rarely
2
sometimes
1
Penned Initials Type
calligraphic
7
calligraphic with decoration
3
calligraphic with grotesque heads
4
decorated
1
flourished
4
littera notabilior
1
plain initials
4
Planned Initials Frequency
always
1
normally
4
occasionally
1
often
1
rarely
3
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
normally
3
occasionally
3
rarely
2
sometimes
2
Other Decoration Type
banner
1
decorated letters
1
decorative final long
3
end-symbol
3
littera notabilior
2
signa congruentiae
1
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Copy language name: Italian
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61
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
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