PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
5
Cities
Florence
3
France
2
Mantua
1
Naples
1
Rome
1
Spain
1
Production method
Manuscript
8
Physical type
choirbook
8
Material
paper
4
parchment
4
Format
oblong
1
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
1
none visible
4
normally
1
sometimes
1
Height of Staves
Colour of Staves
brown
4
dark brown
2
light brown
2
Ruling Medium
double rastrum
1
freehand
1
quadruple rastrum
1
single rastrum
5
straightedge
1
triple rastrum
1
Number of staves
10
1
2
1
3
1
4
3
5
2
6
3
7
5
8
4
9
1
Disposition of Voice Parts
1-part single page
1
2-part opening
2
2-part single page
4
3-part opening
8
3-part single page
2
4-part opening
6
4-part single page
5
5-part opening
1
Indentation for Initials
double
1
none
2
single
7
Extra Space Between Voice Parts
empty ruled staves on grid
7
staves not ruled on grid
2
Space Provided for Separate Text
not in dedicated space
7
provided, in dedicated space
3
Adhoc Adaptation
made for complete additional staves
4
notation and staves extended into margin
6
notation extended into margin
5
other
1
partial additional staves
4
staveline added
2
staves extended into margin
3
Copying of Music
Colour of Notation
black
3
blue
1
brown
6
gold
1
light brown
1
red
1
Type of Notation
void mensural
8
Monophonic Notation
absent
8
Level of Calligraphy
fair
6
high
2
poor
1
Non-verbal Performance Instructions
end symbol
3
pointers
2
repeat signs
8
signa congruentiae
5
signes-de-renvoi
7
space-filler
1
Copying of Text
Language
Dutch
4
French
8
German
1
Italian
5
Latin
5
Spanish
3
n/a
1
Presence or Absence of Text
fully texted with one or two texts
6
fully texted with one text
5
fully texted with two texts
1
partially texted with one or two texts
8
partially texted with one text
7
partially texted with two texts
1
provided with one or two incipits
3
provided with single incipit
6
provided with two incipits
2
untexted
7
Type of Script
cursive
1
cursive (bastarda)
2
cursive (humanistic)
1
cursive (italic)
1
display script
1
hybrida
3
Level of Calligraphy
fair
4
high
3
poor
2
Colour of Text
black
2
blue
1
brown
5
dark brown
2
light brown
1
red
4
yellow
1
Multiple Texts
no
1
yes
8
Decoration
Miniatures Frequency
rarely
1
Borders Frequency
rarely
3
Borders Size
full borders
1
partial borders: three-sided
1
partial borders: two-sided
2
Painted Initials Frequency
always
1
normally
2
rarely
1
Painted Initials Type
decorated
3
zoomorphic initial
1
Penned Initials Frequency
normally
3
often
2
rarely
2
Penned Initials Type
calligraphic
3
calligraphic with decoration
2
calligraphic with grotesque heads
2
decorated
1
flourished
2
littera notabilior
1
Planned Initials Frequency
normally
1
occasionally
1
rarely
3
sometimes
3
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
normally
1
occasionally
1
often
1
rarely
1
Other Decoration Type
decorative final long
3
end-symbol
1
Filters applied
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Type of notation: chant (square)
Production method: Manuscript
Type of notation: strene notation
Physical type: choirbook
Colour of notation: red
Adhoc adaptation: notation extended into margin
Painted initials frequency: sometimes
Search results
2
Edinburgh, Great Britain, National Library of Scotland, MS Adv. 5.1.15, c. 1501-1546, All folios
Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 6428, c. 1520-1530, All folios
1