PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Locations of Origin
Countries
Austria
1
Belgium
1
Czech Republic
3
France
4
Germany
8
Great Britain
1
Italy
33
Italy (North)
1
Netherlands
2
Portugal
1
Spain
2
Switzerland
10
Cities
Augsburg
2
Austria
1
Basel
10
Belgium
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Bourges
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Casale Monferrato
4
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Florence
14
France
9
Freiburg
1
Germany
6
Germany (South)
2
Glarus, Switzerland
1
Halberstadt
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3
Innsbruck
1
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Italy (North)
3
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2
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6
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2
Staffarda
1
Stirling
1
Switzerland
1
Toledo
1
Torgau
1
Turin
1
Utrecht
1
Zwickau
1
Production method
Manuscript
81
Physical type
choirbook
51
choirbook (fragment(s))
4
choirbook (fragment)
1
choirbook (single quire(s))
1
music treatise(s) with appended polyphony
1
partbook (fragment)
1
partbook (single)
7
partbooks (complete set)
8
partbooks (incomplete set)
3
poetry collection with some notated music
1
printed treatise with added polyphony
1
single leaf
1
tablebook
1
Material
paper
64
paper (with parchment)
2
parchment
15
Format
bound upright but prepared oblong
1
oblong
20
upright
60
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
10
never
18
none visible
46
normally
2
occasionally
1
often
2
rarely
1
sometimes
4
Height of Staves
Colour of Staves
black
11
brown
54
dark brown
11
light brown
6
red
3
reddish brown
3
Ruling Medium
double and single rastra
2
double rastrum
7
freehand
5
single rastrum
59
straightedge
10
triple rastrum
11
Number of staves
1
1
10
20
11
11
12
6
13
3
14
3
2
9
3
14
4
13
5
12
6
28
7
19
8
18
9
15
Disposition of Voice Parts
1-part single page
31
10-part opening
1
19-part opening
1
2-part consecutive
1
2-part opening
22
2-part score
1
2-part single page
16
3-part consecutive
5
3-part opening
44
3-part score
1
3-part single page
19
4-part consecutive
3
4-part opening
51
4-part score
1
4-part single page
19
5-part consecutive
1
5-part opening
20
5-part single page
1
6-part opening
7
8-part opening
2
n/a
2
Indentation for Initials
double
5
none
44
quintuple
1
single
43
triple
1
varies
3
Extra Space Between Voice Parts
empty ruled staves on grid
53
left below voice parts as part of grid
5
left between voice parts as part of grid
5
none
18
staves not ruled on grid
4
variable space, not on grid
5
Space Provided for Separate Text
no separate text
40
not in dedicated space
26
provided, in dedicated space
22
Adhoc Adaptation
Indentation for initials filled in
5
made for complete additional staves
27
none
1
notation and staves extended into margin
53
notation extended into margin
30
other
5
partial additional staves
32
staveline added
12
staves extended into margin
4
Copying of Music
Colour of Notation
black
19
brown
81
light brown
1
red
1
Type of Notation
German hufnagel
1
chant (Central European)
1
chant (Gothic)
1
chant (square)
2
full mensural
2
void mensural
80
Monophonic Notation
absent
69
present
16
Level of Calligraphy
fair
48
high
20
poor
18
very high
3
very poor
1
Non-verbal Performance Instructions
coronae
5
cue notes
2
end symbol
9
none
3
numbers to indicate note lengths
1
pointers
5
repeat signs
28
signa congruentiae
24
signes-de-renvoi
32
space-filler
2
Copying of Text
Language
Czech
3
Dutch
10
Flemish
1
French
39
German
10
Italian
23
Latin
66
Spanish
8
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
27
fully texted with one text
62
fully texted with two texts
3
partially texted with one or two texts
10
partially texted with one text
30
partially texted with two texts
2
provided with multiple incipits
1
provided with one or two incipits
15
provided with single incipit
39
provided with two incipits
4
untexted
42
varies
2
Type of Script
cursive
21
cursive (Anglicana)
1
cursive (German)
10
cursive (bastarda)
16
cursive (humanistic)
11
cursive (italic)
10
display script
7
hybrida
6
roman
1
rotonda
1
textura
11
various
2
Level of Calligraphy
fair
45
high
28
poor
17
very high
1
Colour of Text
black
19
blue
5
brown
75
dark brown
2
light brown
1
red
13
yellow
1
Multiple Texts
no
51
yes
38
Decoration
Miniatures Frequency
always
2
never
4
rarely
8
Borders Frequency
always
1
never
2
rarely
7
Borders Size
full borders
3
partial borders: one- and two-sided
1
partial borders: one-sided
1
partial borders: three-sided
1
partial borders: two- and three-sided
1
partial borders: two-sided
3
Painted Initials Frequency
always
3
never
2
normally
5
occasionally
1
rarely
6
sometimes
2
Painted Initials Type
calligraphic with decoration
2
decorated
10
decorated with grotesque heads
1
flourished
2
historiated
2
plain initials
1
zoomorphic initial
3
Penned Initials Frequency
always
7
never
1
normally
20
occasionally
8
often
9
rarely
12
sometimes
10
Penned Initials Type
calligraphic
35
calligraphic with decoration
17
calligraphic with grotesque heads
17
decorated
1
decorated with grotesque heads
2
flourished
15
historiated
1
littera notabilior
4
plain initials
14
zoomorphic initial
1
Planned Initials Frequency
always
5
normally
13
occasionally
4
often
7
rarely
8
sometimes
5
Planned Initials Type
Guide letters only
3
Other Decoration Frequency
always
3
never
1
normally
5
occasionally
6
often
9
rarely
6
sometimes
6
Other Decoration Type
Voice-names
1
decorated letters
7
decorative final long
11
embellished final barline
4
end-symbol
3
littera notabilior
8
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Colour of notation: brown
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81
Regensburg, Germany, Bischöfliche Zentralbibliothek, MS C 98, second quarter of the 16th century, All folios
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