PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Munich, Germany, Bayerische Staatsbibliothek, Musica MS 25 (olim H.C.51; = MaiM 69)

Manuscript type: choirbook

RISM siglum: D-Mbs 25

DIAMM Source Key: 2193

Image repositories: Digitale Bibliothek (BSB Munich)

Folio(s): All folios

Date: c. 1520-4

c. 1520-4 (Bente 1968).

Location of origin: Augsburg, Germany ; Munich, Germany

Provenance

Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550); origin in Augsburg also possible for ff. 23-48 (Bente 1968). Kept in Munich Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Artists/Scribes

Person: Wagenrieder, Lucas
Person type: scribe
Location of origin: Munich, Germany
Note: According to <a href="/bibliography/#entry364" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Bente, Martin, Neue Wege der Quellenkritik und die Biographie Ludwig Senfls (Wiesbaden, 1968) "><i class="fa fa-book"></i>Bente 1968</a>, the main scribe was Lucas Wagenrieder, and Ludwig Senfl copied ff. 23-35, although both ascriptions are now considered doubtful.

Person: Senfl, Ludwig
Person type: scribe
Note: According to <a href="/bibliography/#entry364" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Bente, Martin, Neue Wege der Quellenkritik und die Biographie Ludwig Senfls (Wiesbaden, 1968) "><i class="fa fa-book"></i>Bente 1968</a>, the main scribe was Lucas Wagenrieder, and Ludwig Senfl copied ff. 23-35, although both ascriptions are now considered doubtful.

Basis for description: original

Munich, Germany, Bayerische Staatsbibliothek, Musica MS 25 (olim H.C.51; = MaiM 69), All folios

Physical description

Material: paper

Number of leaves: 192

Format: upright

Page dimensions: 560 x 400

Quire structure: Text version

Other devices: 1. Modern pencil foliation recto top right, 1-191, by J. J. Maier (many folios lack numbers, but all included in enumeration except one folio following f. 49.
2. Piece numberings, verso top left; one older in black ink, one modern in pencil

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking often
Ruled grid rarely,
Staves alomost invariably ruled flexibly to accommodate music
Ruling pattern fairly irregular
Staves omitted from grid n/a
Incomplete staves often,
length of staves adjusted to amount of music
Medium and colour of grid Frequency Folios Note
lead point normally all except ff. 24-35
hard point occasionally 24-35
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
single normally indented for voice-names (rarely initials)
double rarely indented for voice-names (rarely initials)
none occasionally indented for voice-names (rarely initials)
Extra space between voice parts Frequency Folios Note
variable space, not on grid normally
Space provided for separate text Frequency Folios Note
no separate text always

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note rhomboid-shaped notation
Monophonic notation absent
Level of calligraphy high
Text 1
Types of script textura
Level of calligraphy high
Colour(s) of text black
Multiple texts no
Text repetitions many
Abbreviations many
Non underlaid vocal text none
Liminary text Voice-names (written out) in indentations, usually on every opening; composer ascriptions; pars indications; liturgical designations; all in red. Composition titles on blank rectos preceding the notation, rarely, added later
Text 2
Types of script display script
Types of script size position for voice designations (in indentations on many pages) and other paratexts
Types of script note textura, larger than normal text script
Level of calligraphy high
Colour(s) of text red
Abbreviations many

Decoration

Level of Decoration poor
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
penned initials rarely 1v-2r, 23v-24r calligraphic large cadel-type initials in ink of different colours, on ff. 1v-2r relating to voice-names, on 23v-24r to first word of sung text
Other decoration frequency Folios Other decoration type(s) Size position Description Discrepancies
normally Voice-names in red ink, in indentations before every voice on many pages