PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Munich, Germany, Bayerische Staatsbibliothek, Musica MS 7 (= MaiM 1)

Manuscript type: choirbook

RISM siglum: D-Mbs 7

DIAMM Source Key: 2061

Image repositories: Digitale Bibliothek (BSB Munich), IDEM

Folio(s): All folios

Date: c. 1512-30

c. 1512-30 (Kellman 1989); 1516-18 (Warmington 1982).

Location of origin: Brussels, Belgium ; Mechelen, Belgium

Provenance

Copied in Brussels/Mechlin; belongs to Netherlands court complex (Kellman 1976). Sent to Munich for presentation to Wilhelm IV, Duke of Bavaria (1493-1550); placed in ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Artists/Scribes

Person: Scribe D, (member of Habsburg-Burgundian 'Alamire' workshop (Mechelen, Belgium))
Person type: scribe
Note: <a href="/bibliography/#entry930" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Warmington, Flynn, ‘A Master Calligrapher in Alamire’s Worskshop: Towards a Chronology of his Work’, Abstracts of Papers read at the Annual Meeting of the American Musicological Society, Ann Arbor, 1982 (Philadephia 1982), 21 "><i class="fa fa-book"></i>Warmington 1982</a> distinguishes three other music and/or text scripts: D (ff. 4v-13, 14-30, 48v-59, 63v-64, 66v-76, 77v-89); E (ff. 90-'91, 92v, 93v-107); and X (all text, and completion of voice parts requiring extra staves on ff. 51v, 55-55v, and 56v).

Person: Scribe E, (member of Habsburg-Burgundian 'Alamire' workshop (Mechelen, Belgium))
Person type: scribe
Note: <a href="/bibliography/#entry930" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Warmington, Flynn, ‘A Master Calligrapher in Alamire’s Worskshop: Towards a Chronology of his Work’, Abstracts of Papers read at the Annual Meeting of the American Musicological Society, Ann Arbor, 1982 (Philadephia 1982), 21 "><i class="fa fa-book"></i>Warmington 1982</a> distinguishes three other music and/or text scripts: D (ff. 4v-13, 14-30, 48v-59, 63v-64, 66v-76, 77v-89); E (ff. 90-'91, 92v, 93v-107); and X (all text, and completion of voice parts requiring extra staves on ff. 51v, 55-55v, and 56v).

Person: Scribe X, (member of Habsburg-Burgundian 'Alamire' workshop (Mechelen, Belgium))
Person type: scribe
Note: <a href="/bibliography/#entry930" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Warmington, Flynn, ‘A Master Calligrapher in Alamire’s Worskshop: Towards a Chronology of his Work’, Abstracts of Papers read at the Annual Meeting of the American Musicological Society, Ann Arbor, 1982 (Philadephia 1982), 21 "><i class="fa fa-book"></i>Warmington 1982</a> distinguishes three other music and/or text scripts: D (ff. 4v-13, 14-30, 48v-59, 63v-64, 66v-76, 77v-89); E (ff. 90-'91, 92v, 93v-107); and X (all text, and completion of voice parts requiring extra staves on ff. 51v, 55-55v, and 56v).

Basis for description: original

Munich, Germany, Bayerische Staatsbibliothek, Musica MS 7 (= MaiM 1), All folios

Physical description

Material: paper

Number of leaves: 107 + i

Format: upright

Page dimensions: 560 x 390

Quire structure: Text version

Other devices: 1. Modern pencil foliation recto top right, 1-107 (by J. J. Maier), includes modern flyleaf at beginning.
2. Pieces numbered in ink by an earlier hand, recto top right on blank folios preceding the beginning of every mass

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking often,
for bounding lines only; edges of folios restored, probably obliterating signs of further pricking.
Ruled grid always,
Single bounding line to left and right. Text on single line in parts of the book, only ruled where text present.
Ruling pattern fairly regular
mostly ruled on 11-stave grid
Staves omitted from grid occasionally
Incomplete staves rarely
Medium and colour of grid Frequency Folios Note
lead point always
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
triple occasionally
double sometimes
single often
none rarely
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid occasionally
variable space, not on grid occasionally
staves not ruled on grid often
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
partial additional staves occasionally
staves extended into margin occasionally
made for complete additional staves rarely

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text tenor normally
fully texted with two or more texts tenor sometimes
fully texted with one text all except tenor always
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note rhomboid-shaped notation
Monophonic notation absent
Level of calligraphy high
Non verbal performance instructions Folios Note
signes-de-renvoi often, very elaborate in red
Line fillers Folios Note
occasionally repeated custodes
Text 1
Types of script cursive (bastarda)
Level of calligraphy very high
Colour(s) of text black red
Cantus firmus texts in red
Multiple texts yes
Ordinary text and cantus firmus text in tenor
Text repetitions fairly few
Abbreviations some
Non underlaid vocal text none
Liminary text Voice designations (with initials except for D, sometimes upright within initials), Residuum indications, Verte instructions (black), Tacet and canonic instructions (in red or black), composers and mass titles (both in red).
Text 2
Types of script display script
Types of script size position Cantus firmus texts, Voice designations, Residuum indications, Verte instructions, Tacet and canonic instructions, composers and mass titles.
Types of script note cursive (bastarda)
Level of calligraphy very high
Colour(s) of text black red
Cantus firmus texts in red, Voice designations, Residuum indications and Verte instructions all in black, Tacet and canonic instructions in red or black), composers and mass titles in red

Decoration

Level of Decoration fair
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
painted initials rarely 2v-3r decorated with grotesque heads
penned initials occasionally 14v-15r, 31v-32r, 47v-48r calligraphic , flourished
penned initials sometimes 3v-13r, 48v-59v calligraphic At beginning of sections; usually one line except D which is often two lines. Relating to voice-names rather than sung text except in D.
initials planned often Relating to voice-names rather than sung text except in D (where the first letter of the text is lacking).