PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Disposition of voice part: 5-part single page Adhoc adaptation: notation extended into margin Adhoc adaptation: staves extended into margin Disposition of voice part: 1-part single page Type of notation: strene notation Disposition of voice part: 3-part consecutive Disposition of voice part: 3-part single page Presence absence of text: untexted Adhoc adaptation: staveline added Penned initials type: plain initials Separate text: not in dedicated space

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248
  1. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor primus
  2. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor secundus
  3. Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F X 1-4, c. 1518-1526, D: 14-92; A: 15-88; T: 34-116; B: 14-91
  4. Kraków, Poland, Biblioteka Jagiellonska, Berlin MS Mus. 40098 (olim Z 98 and Z 8037), c. 1477-82, Contratenor Partbook, all folios
  5. Kraków, Poland, Biblioteka Jagiellonska, Berlin MS Mus. 40098 (olim Z 98 and Z 8037), c. 1477-82, Tenor partbook, all folios
  6. Modena, Italy, Biblioteca Estense Universitaria, alpha.X.1.11 (Lat. 471; olim VI.H.15), 1440s, with additions up c. 1480, All folios
  7. Regensburg, Germany, Bischöfliche Zentralbibliothek, MS C 98, second quarter of the 16th century, All folios
  8. St Gall, Switzerland, Stiftsbibliothek, MS 463, c. 1540 or slightly later, All folios